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kerala blasters ๐ฌ๐๐ฉ๐ mohun bagan ๐ฅ๐ก๐๐ฎ๐๐ฃ๐
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kerala blasters vs mohun ๐๐๐๐๐ฃ,
๐๐๐๐ผ๐ ๐ฝ๐ผ๐๐๐๐ ๐/๐ ๐๐๐๐ผ๐๐ผ ๐๐ค
๐๐๐งthquake in delhi
17 ๐๐๐ฝ๐๐๐ผ๐๐ 2025
In 2024, Delhi experienced a series of earthquakes that served as stark reminders of the city's vulnerability to seismic activitYThe ..17 February 25 Earthquake in Delhi
On the evening of 11th September 2024, residents of Delhi were jolted by unexpected earth quakes . The earthquake, with its epicentre 25 kilometres southwest of Karor in Pakistan, had a depth of 33 kilometres. Despite the epicentre being beyond India's borders, the seismic waves were potent enough to be felt across Delhi ncr and several northern states, including Punjab, Haryana,Uttrakhand Rajasthan, and Uttar Pradesh. The tremors led to widespread alarm, with many residents evacuating buildings as a precautionary measure. Fortunately, there were no immediate reports of casualties or significant structural damage in Delhi.ncr and other states. ๐
Other Notable Earthquakes in Delhi ncr 2024
The September 25 quake was not an isolated incident. Earlier, on 29th August 2024, a 5.7 magnitude earthquake in Afghanistan resulted in mild tremors being felt in Delhi-NCR. The depth of this quake was recorded at 255 kilometres, which likely mitigated its impact on the surface. Additionally, on 25th and 26th December 2024, 02 consecutive earthquakes of magnitudes 3.5 and 2.6, respectively, struck Sonipat in Haryana region These quakes, though minor, were perceptible in parts of Delhi-NCR, causing brief moments of concern among residents.people
Understanding Delhi's Seismic Vulnerability
Why more earthquake
Delhi's susceptibility to earthquakes is attributed to its geographical proximity to the seismically active Himalayan region. The city is situated approximately 250 kilometres from the Himalayan collision zone, a main region known for frequent tectonic movements. This proximity places Delhi in Seismic Zone IV, indicating a high risk of seismic activity. The geological features of the area, combined with the dense urban population, amplify the potential impact of any seismic event.
The Human Response to Earthquakes in Delhi, ncr
The Recurrence earthquakes in Delhi throughout 2024 have had profound effects on its residents. Each tremor, regardless of its magnitude, serves as a stark reminder of the unpredictable nature of seismic activities. The psychological impact is evident, with many individuals expressing heightened anxiety and stress following each event. The instantly human response often involves evacuating buildings, gathering in open free spaces, and checking on loved ones. Citizen resilience is tested, and there's a growing emphasis on the need for public awareness and education regarding risk of earthquake preparedness.
Infrastructure and Preparedness in Delhi ncr
The spate of earthquakes in Delhi has prompted authorities to re-evaluate the city's infrastructure resilience. Ensuring that Big buildings, especially high-rises, are constructed or retrofitted to withstand seismic shocks is paramount. Regular safety drills in schools, offices, college,and residential complexes have become more commonplace, aiming to equip citizens with the knowledge and skills to respond effectively during an earthquake. The Delhi Disaster Management Authority (DDMA) has been proactive in disseminating information on safety protocols, emphasizing the importance of "Drop, Cover, and Hold On" during tremors.
The Role of addvance Technology and Early Warning Systems work better.
Advancements in technology have paved the way for the development of early warning systems that can detect seismic activities and provide crucial seconds of warning before the earthquake are felt. In 2024, efforts were intensified to integrate such systems into Delhi's emergency response framework. Mobile applications and alert systems have been introduced, aiming to notify residents of impending tremors, allowing them to take protective actions promptly. While these systems are still being refined, their potential to save lives and reduce injuries figure.
Citizen, people Initiatives and Grassroots Movemenfigure Also with governmental governmental efforts, community-driven initiatives have played a big role in bolstering earthquake preparedness in Delhi. Resident Welfare Associations (RWAs) have organized workshops and training sessions, inviting experts to educate members of sociatys about seismic risks and safety measures. Local volunteers have been instrumental in conducting building audits, ensuring that structures comply with safety standards. These root levels movements foster a sense of collective responsibility and empower residents to take proactive steps in safeguarding their communities.
Looking forward: Building a Resilient Delhi
The earthquakes in Delhi in 2024 have underscored the imperative need for a multifaceted approach to seismic resilience. This encompasses stringent enforcement of building codes, widespread public education campaigns, investment in early warning advanced technologies, and fostering a culture of preparedness. As urbanization continues to surge, integrating seismic considerations into socity, colony planning and development is crucial. By learning from the tremors of the past year, Delhi can pave the way towards becoming a model city in earthquake preparedness and resilience.
In conclusion, while the earthquakes in Delhi in 2024 have posed challenges, they have also galvanized a collective effort towards building a safer and more resilient urban environment. Through continued vigilance, education, advanced technique and infrastructural improvements, Delhi stands poised to mitigate the impacts of future seismic events.so take care.
๐ผ๐ ๐๐๐๐๐ผ ๐๐ผ๐๐ผ๐๐, ๐ผ ๐๐๐ผ๐ ๐พ๐๐๐พ๐๐๐๐
✌✌๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐ ๐๐ฃ 2025: ๐ผ ๐๐๐จ๐ฉ๐๐ข๐๐ฃ๐ฉ ๐ฉ๐ค ๐พ๐ค๐ฃ๐จ๐๐จ๐ฉ๐๐ฃ๐๐ฎ ๐๐ฃ๐ ๐พ๐ก๐๐จ๐จ ๐๐ฃ ๐พ๐ง๐๐๐ ๐๐ฉ✌✌
๐ผ๐ก๐ก๐๐ค๐ช๐ฃ๐๐๐ง....
๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐, ๐๐๐ ๐ฃ๐๐ข๐ ๐ฉ๐๐๐ฉ ๐ง๐๐จ๐ค๐ฃ๐๐ฉ๐๐จ ๐ฌ๐๐ฉ๐ ๐๐ค๐ฃ๐จ๐๐จ๐ฉ๐๐ฃ๐๐ฎ ๐๐ฃ๐ ๐๐ก๐๐๐๐ฃ๐๐, ๐๐๐จ ๐ง๐๐ข๐๐๐ฃ๐๐ ๐ ๐จ๐ฉ๐๐ก๐ฌ๐๐ง๐ฉ ๐๐ฃ ๐๐ฃ๐๐๐๐ฃ ๐๐ง๐๐๐ ๐๐ฉ. ๐ผ๐จ ๐ฌ๐ ๐๐ฃ๐ฉ๐๐ง 2025, ๐๐๐๐๐ฃ๐ ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐๐จ ๐ฉ๐ค ๐๐ฃ๐จ๐ฅ๐๐ง๐ ๐๐ง๐๐๐ ๐๐ฉ ๐ก๐ค๐ซ๐๐ง๐จ ๐ฌ๐๐ฉ๐ ๐๐๐จ ๐จ๐ฅ๐๐๐๐๐ก ๐จ๐ ๐๐ก๐ก๐จ, ๐๐๐๐๐๐๐ฉ๐๐ค๐ฃ, ๐๐ฃ๐ ๐ ๐ฃ๐๐ซ๐๐ง-๐๐๐ซ๐-๐ช๐ฅ ๐๐ฉ๐ฉ๐๐ฉ๐ช๐๐. ๐๐๐๐จ ๐ฅ๐ค๐จ๐ฉ ๐ฉ๐๐ ๐๐จ ๐ ๐๐ก๐ค๐จ๐๐ง ๐ก๐ค๐ค๐ ๐๐ฉ ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐'๐จ ๐๐ค๐ช๐ง๐ฃ๐๐ฎ ๐๐ฃ 2025, ๐๐๐จ ๐๐ค๐ฃ๐ฉ๐ง๐๐๐ช๐ฉ๐๐ค๐ฃ ๐ฉ๐ค ๐๐ฃ๐๐๐๐ฃ ๐๐ง๐๐๐ ๐๐ฉ, ๐๐ฃ๐ ๐ฌ๐๐๐ฉ ๐ข๐๐ ๐๐จ ๐๐๐ข ๐ค๐ฃ๐ ๐ค๐ ๐ฉ๐๐ ๐ข๐ค๐จ๐ฉ ๐ง๐๐จ๐ฅ๐๐๐ฉ๐๐ ๐ฅ๐ก๐๐ฎ๐๐ง๐จ ๐๐ฃ ๐ข๐ค๐๐๐ง๐ฃ ๐๐๐ฟ๐๐ผ๐ ๐๐ง๐๐๐ ๐๐ฉ.
๐๐๐ ๐ ๐ค๐ช๐ง๐ฃ๐๐ฎ ๐ค๐ ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐พ๐๐ง๐๐๐ง:-
๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐ง๐๐จ๐ ๐ฉ๐ค ๐ฅ๐ง๐ค๐ข๐๐ฃ๐๐ฃ๐๐ ๐๐ฃ ๐๐ฃ๐ฉ๐๐ง๐ฃ๐๐ฉ๐๐ค๐ฃ๐๐ก ๐๐ง๐๐๐ ๐๐ฉ ๐๐๐จ ๐๐๐๐ฃ ๐ ๐ฉ๐๐จ๐ฉ๐๐ข๐๐ฃ๐ฉ ๐ฉ๐ค ๐๐๐จ ๐ฅ๐๐ง๐จ๐๐ซ๐๐ง๐๐ฃ๐๐ ๐๐ฃ๐ ๐ช๐ฃ๐ฌ๐๐ซ๐๐ง๐๐ฃ๐ ๐๐ค๐ข๐ข๐๐ฉ๐ข๐๐ฃ๐ฉ ๐ฉ๐ค ๐ฉ๐๐ ๐๐ง๐๐๐ ๐๐ฉ. ๐๐๐๐ง๐จ ๐ฉ๐ค ๐ฎ๐๐๐ง๐จ, ๐๐๐๐๐ฃ๐ ๐๐๐จ ๐๐ซ๐ค๐ก๐ซ๐๐ ๐๐ง๐ค๐ข ๐ ๐ฅ๐ง๐ค๐ข๐๐จ๐๐ฃ๐ ๐ฎ๐ค๐ช๐ฃ๐ ๐ฉ๐๐ก๐๐ฃ๐ฉ ๐ฉ๐ค ๐ค๐ฃ๐ ๐ค๐ ๐๐ฃ๐๐๐’๐จ ๐ข๐ค๐จ๐ฉ ๐ง๐๐ก๐๐๐๐ก๐ ๐๐๐ฉ๐จ๐ข๐๐ฃ. ๐๐๐ฉ๐ ๐ ๐๐๐ก๐ข ๐๐ฃ๐ ๐๐ค๐ข๐ฅ๐ค๐จ๐๐ ๐๐๐ข๐๐๐ฃ๐ค๐ง, ๐๐๐๐๐ฃ๐ ๐๐๐จ ๐๐ก๐ฌ๐๐ฎ๐จ ๐๐๐๐ฃ ๐ ๐ฃ๐ค๐ฌ๐ฃ ๐๐ค๐ง ๐๐๐จ ๐จ๐ค๐ก๐๐ ๐ฉ๐๐๐๐ฃ๐๐ฆ๐ช๐ ๐๐ฃ๐ ๐๐๐๐ฅ๐ฉ๐๐๐๐ก๐๐ฉ๐ฎ, ๐ฌ๐๐๐๐ ๐๐๐จ ๐๐๐ง๐ฃ๐๐ ๐๐๐ข ๐ง๐๐จ๐ฅ๐๐๐ฉ ๐๐๐ง๐ค๐จ๐จ ๐๐ก๐ก ๐๐ค๐ง๐ข๐๐ฉ๐จ ๐ก๐๐ ๐ ๐ค๐ฟ๐, 20/20 ๐๐ฃ๐ ๐๐๐จ๐ฉ๐ข๐๐ฉ๐๐.
๐ผ๐จ ๐ฌ๐ ๐ก๐ค๐ค๐ ๐๐ฉ ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐ ๐๐ฃ 2025, ๐๐ฉ’๐จ ๐๐ก๐๐๐ง ๐ฉ๐๐๐ฉ ๐๐๐จ ๐๐ค๐ฃ๐จ๐๐จ๐ฉ๐๐ฃ๐๐ฎ ๐๐จ ๐ฌ๐๐๐ฉ ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐๐จ ๐ฉ๐ค ๐๐๐๐๐ฃ๐ ๐๐๐ข. ๐๐๐๐ก๐ ๐ข๐๐ฃ๐ฎ ๐ฅ๐ก๐๐ฎ๐๐ง๐จ ๐๐๐ซ๐ ๐๐ค๐ข๐ ๐๐ฃ๐ ๐๐ค๐ฃ๐,๐ผ.๐๐๐๐๐ฃ๐’๐จ ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฉ๐ค ๐จ๐ฉ๐๐ฎ ๐ง๐๐ก๐๐ซ๐๐ฃ๐ฉ ๐๐ฃ ๐๐ก๐ก ๐๐ค๐ง๐ข๐๐ฉ๐จ ๐ค๐ ๐ฉ๐๐ ๐๐๐ข๐ ๐๐จ ๐ฉ๐ง๐ช๐ก๐ฎ ๐๐ค๐ข๐ข๐๐ฃ๐๐๐๐ก๐. ๐๐๐จ ๐ฅ๐๐ง๐๐ค๐ง๐ข๐๐ฃ๐๐๐จ, ๐ฌ๐๐๐ฉ๐๐๐ง ๐๐ฃ ๐๐๐จ๐ฉ๐จ, ๐๐ฟ๐๐จ, ๐ค๐ง ๐20๐จ, ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐ ๐ฉ๐ค ๐๐ข๐ฅ๐๐๐ฉ ๐๐ฃ๐๐๐’๐จ ๐จ๐ช๐๐๐๐จ๐จ ๐ค๐ฃ ๐ฉ๐๐ ๐ฌ๐ค๐ง๐ก๐ ๐จ๐ฉ๐๐๐ ๐ค๐ ๐๐ง๐๐๐ ๐๐ฉ.
✌ ๐๐๐๐๐ฃ๐’๐จ ๐พ๐ค๐ฃ๐ฉ๐ง๐๐๐ช๐ฉ๐๐ค๐ฃ ๐ฉ๐ค ๐๐ฃ๐๐๐๐ฃ ๐๐๐จ๐ฉ ๐พ๐ง๐๐๐ ๐๐ฉ ๐๐ฃ 2025✌
๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐ง๐๐ฅ๐ช๐ฉ๐๐ฉ๐๐ค๐ฃ ๐๐ฃ ๐๐๐จ๐ฉ ๐๐ง๐๐๐ ๐๐ฉ ๐๐จ ๐ฌ๐๐ก๐ก-๐๐จ๐ฉ๐๐๐ก๐๐จ๐๐๐,๐๐๐๐ง, ๐๐ฃ๐ 2025 ๐๐จ ๐ฃ๐ค ๐๐๐๐๐๐ง๐๐ฃ๐ฉ. ๐๐ ๐ง๐๐ข๐๐๐ฃ๐จ ๐๐ฃ ๐๐ฃ๐ฉ๐๐๐ง๐๐ก ๐ฅ๐๐ง๐ฉ ๐ค๐ ๐๐ฃ๐๐๐’๐จ ๐๐๐จ๐ฉ ๐๐๐ฉ๐ฉ๐๐ฃ๐ ๐ก๐๐ฃ๐-๐ช๐ฅ, ๐๐ค๐ฃ๐ฉ๐ง๐๐๐ช๐ฉ๐๐ฃ๐ ๐ซ๐๐ก๐ช๐๐๐ก๐ ๐ง๐ช๐ฃ๐จ ๐๐ฃ ๐๐ง๐๐ฉ๐๐๐๐ก ๐๐ค๐ฃ๐๐๐ฉ๐๐ค๐ฃ๐จ. ๐๐ฃ๐ค๐ฌ๐ฃ ๐๐ค๐ง ๐๐๐จ ๐๐๐ก๐ข๐ฃ๐๐จ๐จ ๐ช๐ฃ๐๐๐ง ๐ฅ๐ง๐๐จ๐จ๐ช๐ง๐, ๐๐๐๐๐ฃ๐’๐จ ๐๐ค๐ฃ๐ฉ๐ง๐๐๐ช๐ฉ๐๐ค๐ฃ๐จ ๐๐๐ซ๐ ๐๐๐๐ฃ ๐ฅ๐๐ซ๐ค๐ฉ๐๐ก ๐๐ฃ ๐๐ฃ๐๐๐’๐จ ๐จ๐ช๐๐๐๐จ๐จ ๐๐๐ง๐ค๐๐, ๐ฅ๐๐ง๐ฉ๐๐๐ช๐ก๐๐ง๐ก๐ฎ ๐๐ฃ ๐ฉ๐ค๐ช๐๐ ๐๐ค๐ฃ๐๐๐ฉ๐๐ค๐ฃ๐จ ๐ก๐๐ ๐ ๐ฉ๐๐ค๐จ๐ ๐๐ฃ ๐ผ๐ช๐จ๐ฉ๐ง๐๐ก๐๐, ๐๐ฃ๐๐ก๐๐ฃ๐, ๐๐ฃ๐ ๐๐ค๐ช๐ฉ๐ ๐ผ๐๐ง๐๐๐, ๐๐๐ฌ๐ฏ๐๐ก๐๐ฃ๐.
๐๐ฃ 2025, ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐๐๐๐ก๐๐ฉ๐ฎ ๐๐ก๐จ๐ค ๐๐๐ข๐ ๐๐ฃ๐ฉ๐ค ๐๐ค๐๐ช๐จ. ๐ฟ๐๐จ๐ฅ๐๐ฉ๐ ๐ฃ๐ค๐ฉ ๐๐๐๐ฃ๐ ๐ฉ๐๐ ๐๐๐ฅ๐ฉ๐๐๐ฃ ๐ค๐ ๐ฉ๐๐ ๐๐ฃ๐๐๐๐ฃ ๐๐๐จ๐ฉ ๐จ๐๐๐, ๐๐๐จ ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฉ๐ค ๐จ๐ฉ๐๐ฅ ๐ช๐ฅ ๐ฌ๐๐๐ฃ ๐ง๐๐ฆ๐ช๐๐ง๐๐—๐ฌ๐๐๐ฉ๐๐๐ง ๐๐จ ๐ ๐จ๐ฉ๐๐ฃ๐-๐๐ฃ ๐๐๐ฅ๐ฉ๐๐๐ฃ ๐ค๐ง ๐ ๐จ๐๐ฃ๐๐ค๐ง ๐ฅ๐ก๐๐ฎ๐๐ง—๐๐๐จ ๐๐๐๐ฃ ๐๐ฃ๐ซ๐๐ก๐ช๐๐๐ก๐. ๐๐๐จ ๐ฉ๐๐๐ฉ๐๐๐๐ก ๐๐๐ช๐ข๐๐ฃ ๐๐ฃ๐ ๐๐๐ก๐ข ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐๐๐ซ๐ ๐๐๐ก๐ฅ ๐๐ฃ๐ ๐๐ช๐๐๐ ๐ฎ๐ค๐ช๐ฃ๐ ๐ฅ๐ก๐๐ฎ๐๐ง๐จ ๐ฉ๐๐ง๐ค๐ช๐๐ ๐๐๐๐ก๐ก๐๐ฃ๐๐๐ฃ๐ ๐จ๐๐ฉ๐ช๐๐ฉ๐๐ค๐ฃ๐จ, ๐๐ช๐ง๐ฉ๐๐๐ง ๐๐๐ข๐๐ฃ๐ฉ๐๐ฃ๐ ๐๐๐จ ๐ง๐ค๐ก๐ ๐๐จ ๐ ๐ก๐๐๐๐๐ง ๐๐ฃ ๐๐ฃ๐๐๐๐ฃ ๐๐ง๐๐๐ ๐๐ฉ ๐๐๐๐ข.

✌๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐'๐จ ๐๐ค๐ก๐ ๐๐ฃ ๐๐ฃ๐-๐ฟ๐๐ฎ ๐๐ฃ๐ฉ๐๐ง๐ฃ๐๐ฉ๐๐ค๐ฃ๐๐ก ๐๐๐ฉ๐๐๐๐จ
๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐๐๐๐ฅ๐ฉ๐๐๐๐ก๐๐ฉ๐ฎ ๐๐จ ๐๐ซ๐๐๐๐ฃ๐ฉ ๐๐ฃ ๐๐๐จ ๐๐ฅ๐ฅ๐ง๐ค๐๐๐ ๐ฉ๐ค ๐ก๐๐ข๐๐ฉ๐๐-๐ค๐ซ๐๐ง๐จ ๐๐ง๐๐๐ ๐๐ฉ ๐๐จ ๐ซ๐๐ง๐ฎ ๐ฌ๐๐ก๐ก. ๐๐๐จ ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฉ๐ค ๐๐ฃ๐๐๐ค๐ง ๐ฉ๐๐ ๐๐ฃ๐ฃ๐๐ฃ๐๐จ ๐๐ฃ ๐๐ฟ๐๐จ, ๐๐จ๐ฅ๐๐๐๐๐ก๐ก๐ฎ ๐๐ฃ ๐๐๐๐ก๐ก๐๐ฃ๐๐๐ฃ๐ ๐๐ค๐ฃ๐๐๐ฉ๐๐ค๐ฃ๐จ, ๐จ๐๐ฉ๐ช๐๐ฉ๐๐ค๐ฃ๐จ, ๐๐๐จ ๐ข๐๐๐ ๐๐๐ข ๐๐ฃ ๐๐จ๐จ๐๐ฃ๐ฉ๐๐๐ก ๐๐๐๐ฝ๐๐ ๐ค๐ ๐๐ฃ๐๐๐’๐จ ๐ข๐๐๐๐ก๐-๐ค๐ง๐๐๐ง. ๐๐ฃ 2025, ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐๐๐ฉ๐ฉ๐๐ฃ๐ ๐ฉ๐๐๐๐ฃ๐๐ฆ๐ช๐ ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐๐จ ๐ฉ๐ค ๐จ๐๐ง๐ซ๐ ๐๐จ ๐ ๐ฅ๐๐ง๐๐๐๐ฉ ๐๐ก๐๐ฃ๐ ๐ค๐ ๐จ๐ฉ๐๐๐๐ก๐๐ฉ๐ฎ ,๐๐ค๐ฃ๐๐๐๐๐ฃ๐๐ ๐๐ฃ๐ ๐๐๐๐ง๐๐จ๐จ๐๐ค๐ฃ.
๐ผ. ๐๐๐๐๐ฃ๐’๐จ ๐๐ค๐ง๐ข ๐๐ฃ ๐๐ฃ๐-๐ฟ๐๐ฎ ๐๐ฃ๐ฉ๐๐ง๐ฃ๐๐ฉ๐๐ค๐ฃ๐๐ก๐จ ๐๐๐จ ๐๐ก๐ฌ๐๐ฎ๐จ ๐๐๐๐ฃ ๐ข๐๐ง๐ ๐๐๐๐๐ก๐ ๐๐ฎ ๐๐๐จ ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฉ๐ค ๐จ๐๐๐๐ฉ ๐๐๐๐ง๐จ ๐๐ฉ ๐๐ง๐ช๐๐๐๐ก ๐ฅ๐๐๐ ๐ข๐ค๐ข๐๐ฃ๐ฉ๐จ. ๐๐๐๐ฉ๐๐๐ง ๐๐ฉ'๐จ ๐จ๐๐ฉ๐ฉ๐๐ฃ๐ ๐ฉ๐๐ ๐ฅ๐ก๐๐ฉ๐๐ค๐ง๐ข ๐๐ค๐ง ๐ฉ๐๐ ๐ฅ๐ค๐ฌ๐๐ง-๐๐๐ฉ๐ฉ๐๐ง๐จ ๐ค๐ง ๐๐ช๐๐ก๐๐๐ฃ๐ ๐ฅ๐๐ง๐ฉ๐ฃ๐๐ง๐จ๐๐๐ฅ๐จ, ๐๐๐๐๐ฃ๐ ๐๐๐จ ๐ฅ๐ง๐ค๐ซ๐๐ฃ ๐ฉ๐๐ข๐ ๐๐ฃ๐ ๐๐๐๐๐ฃ ๐ฉ๐๐๐ฉ ๐๐ ๐๐๐ฃ ๐๐ ๐ง๐๐ก๐๐๐ ๐ช๐ฅ๐ค๐ฃ. ๐ผ๐จ ๐๐ฃ๐๐๐ ๐๐๐๐ง๐จ ๐ช๐ฅ ๐๐ค๐ง ๐ข๐๐๐ค๐ง ๐ฉ๐ค๐ช๐ง๐ฃ๐๐ข๐๐ฃ๐ฉ๐จ ๐ก๐๐ ๐ ๐ฉ๐๐ ๐๐พ๐พ ๐พ๐ง๐๐๐ ๐๐ฉ ๐๐ค๐ง๐ก๐ ๐พ๐ช๐ฅ, ๐๐๐๐๐ฃ๐’๐จ ๐๐ญ๐ฅ๐๐ง๐๐๐ฃ๐๐ ๐๐ฃ๐ ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐ฌ๐๐ก๐ก ๐ฅ๐ก๐๐ฎ ๐ ๐๐ง๐ช๐๐๐๐ก ๐๐ฃ๐ ๐๐๐๐๐๐ฉ๐๐ซ๐ ๐ง๐ค๐ก๐ ๐๐ฃ ๐๐ช๐๐๐๐ฃ๐ ๐ฉ๐๐ ๐๐๐ฟ๐๐ผ๐ ๐ฉ๐๐๐ข ๐ฉ๐ค ๐จ๐ช๐๐๐๐จ๐จ.
✌๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐๐ข๐ฅ๐๐๐ฉ ๐ค๐ฃ ๐20 ๐พ๐ง๐๐๐ ๐๐ฉ✌
๐ผ๐ก๐ฉ๐๐ค๐ช๐๐ ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐ ๐๐จ ๐ฅ๐ง๐๐๐ค๐ข๐๐ฃ๐๐ฃ๐ฉ๐ก๐ฎ ๐ ๐ฃ๐ค๐ฌ๐ฃ ๐๐ค๐ง ๐๐๐จ ๐๐๐จ๐ฉ ๐๐ฃ๐ ๐๐ฟ๐ ๐๐ญ๐ฅ๐ก๐ค๐๐ฉ๐จ, ๐๐๐จ ๐๐ค๐ฃ๐ฉ๐ง๐๐๐ช๐ฉ๐๐ค๐ฃ๐จ ๐ฉ๐ค ๐20 ๐๐ง๐๐๐ ๐๐ฉ ๐๐ฃ 2025 ๐๐๐ฃ๐ฃ๐ค๐ฉ ๐๐ ๐ค๐ซ๐๐ง๐ก๐ค๐ค๐ ๐๐. ๐๐๐ ๐๐ซ๐ค๐ก๐ช๐ฉ๐๐ค๐ฃ ๐ค๐ ๐20 ๐๐ง๐๐๐ ๐๐ฉ ๐๐๐จ ๐จ๐๐๐ฃ ๐ ๐จ๐๐๐๐ฉ ๐ฉ๐ค๐ฌ๐๐ง๐๐จ ๐๐๐๐ง๐๐จ๐จ๐๐ซ๐ ๐๐๐ฉ๐ฉ๐๐ฃ๐, ๐๐ช๐ฉ ๐๐๐๐๐ฃ๐’๐จ ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฉ๐ค ๐ข๐๐๐ฃ๐ฉ๐๐๐ฃ ๐๐ข๐ฅ๐ง๐ค๐ซ๐ ๐๐ค๐ข๐ฅ๐ค๐จ๐ช๐ง๐ ๐๐ฃ ๐ฉ๐๐ ๐จ๐๐ค๐ง๐ฉ๐๐จ๐ฉ ๐๐ค๐ง๐ข๐๐ฉ ๐๐๐จ ๐ข๐๐๐ ๐๐๐ข ๐ ๐ซ๐๐ก๐ช๐๐๐ก๐ ๐ฅ๐ก๐๐ฎ๐๐ง, ๐๐ค๐๐ ๐ฉ๐ค ๐๐๐จ ๐๐ง๐๐ฃ๐๐๐๐จ๐ ๐๐ฃ ๐ฉ๐๐ ๐๐ฃ๐๐๐๐ฃ ๐๐ง๐๐ข๐๐๐ง ๐๐๐๐๐ช๐ (๐๐๐) ๐๐ฃ๐ ๐๐ค๐ง ๐ฉ๐๐ ๐๐ฃ๐๐๐๐ฃ ๐ฃ๐๐ฉ๐๐ค๐ฃ๐๐ก ๐ฉ๐๐๐ข.
๐๐ฃ 2025, ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐ง๐ค๐ก๐ ๐๐ฃ ๐20๐จ ๐๐๐จ ๐จ๐๐๐ฃ ๐๐๐ข ๐๐๐๐ฅ๐ฉ ๐ฉ๐ค ๐ ๐ข๐ค๐ง๐ ๐๐ฉ๐ฉ๐๐๐ ๐๐ฃ๐ ๐๐๐๐ง๐๐จ๐จ๐๐ซ๐ ๐จ๐ฉ๐ฎ๐ก๐ ๐ค๐ ๐ฅ๐ก๐๐ฎ, ๐ข๐๐ ๐๐ฃ๐ ๐๐๐ข ๐ ๐ซ๐๐ฉ๐๐ก ๐๐จ๐จ๐๐ฉ ๐๐ฉ ๐ฉ๐๐ ๐ฉ๐ค๐ฅ ๐ค๐ ๐ฉ๐๐ ๐ค๐ง๐๐๐ง. ๐๐๐จ ๐จ๐ข๐๐ง๐ฉ ๐จ๐๐ค๐ฉ ๐จ๐๐ก๐๐๐ฉ๐๐ค๐ฃ ๐๐ฃ๐ ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฉ๐ค ๐๐๐๐ฅ๐ฉ ๐ฉ๐ค ๐ฉ๐๐ ๐๐๐๐ฃ๐๐๐ฃ๐ ๐๐ฎ๐ฃ๐๐ข๐๐๐จ ๐ค๐ ๐20 ๐๐ง๐๐๐ ๐๐ฉ ๐๐ง๐ ๐จ๐ค๐ข๐ ๐ค๐ ๐ฉ๐๐ ๐ฆ๐ช๐๐ก๐๐ฉ๐๐๐จ ๐ฉ๐๐๐ฉ ๐จ๐๐ฉ ๐๐๐ข ๐๐ฅ๐๐ง๐ฉ ๐๐ง๐ค๐ข ๐ค๐ฉ๐๐๐ง ๐๐ง๐๐๐ ๐๐ฉ ๐ฅ๐ก๐๐ฎ๐๐ง๐จ ๐๐ฃ ๐ฉ๐๐๐จ ๐๐ค๐ง๐ข๐๐ฉ. ๐ผ๐จ ๐๐ฃ๐๐๐ ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐๐จ ๐ฉ๐ค ๐๐๐ฃ๐-๐ฉ๐ช๐ฃ๐ ๐๐ฉ๐จ ๐20 ๐จ๐ฉ๐ง๐๐ฉ๐๐๐ฎ, ๐๐๐๐๐ฃ๐’๐จ ๐๐ญ๐ฅ๐๐ง๐๐๐ฃ๐๐ ๐ฌ๐๐ก๐ก ๐ฅ๐ง๐ค๐ซ๐ ๐๐ฃ๐ซ๐๐ก๐ช๐๐๐ก๐ ๐๐ค๐ง ๐ฉ๐๐ ๐ฉ๐๐๐ข’๐จ ๐ฆ๐ช๐๐จ๐ฉ ๐๐ค๐ง ๐จ๐ช๐๐๐๐จ๐จ ๐ค๐ฃ ๐ฉ๐๐ ๐๐ก๐ค๐๐ก๐ ๐จ๐ฉ๐๐๐.
✌๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐: ๐๐๐ ๐๐๐ ๐ ๐ค๐ช๐ง๐ฃ๐๐ฎ ๐๐ฃ 2025
๐๐๐ ๐๐ฃ๐๐๐๐ฃ ๐๐ง๐๐ข๐๐๐ง ๐๐๐๐๐ช๐ (๐๐๐) ๐๐๐จ ๐๐๐๐ฃ ๐ ๐จ๐๐๐ฃ๐๐๐๐๐๐ฃ๐ฉ ๐ฅ๐๐ง๐ฉ ๐ค๐ ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐๐ง๐๐๐ ๐๐ฉ๐๐ฃ๐ ๐๐๐ง๐๐๐ง, ๐ผ๐จ ๐ค๐ฃ๐ ๐ค๐ ๐ฉ๐๐ ๐จ๐๐๐จ๐ค๐ฃ๐๐ ๐ฅ๐ก๐๐ฎ๐๐ง๐จ ๐๐ฃ ๐ฉ๐๐ ๐๐๐, ๐๐๐๐๐ฃ๐ ๐๐๐จ ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐๐ ๐ฉ๐ค ๐๐๐ก๐๐ซ๐๐ง ๐๐ค๐ฃ๐จ๐๐จ๐ฉ๐๐ฃ๐ฉ ๐ฅ๐๐ง๐๐ค๐ง๐ข๐๐ฃ๐๐๐จ, ๐ข๐๐ ๐๐ฃ๐ ๐ซ๐๐ก๐ช๐๐๐ก๐ ๐๐ค๐ฃ๐ฉ๐ง๐๐๐ช๐ฉ๐๐ค๐ฃ๐จ ๐ฉ๐ค ๐๐๐จ ๐๐ง๐๐ฃ๐๐๐๐จ๐. ๐๐ฃ 2025, ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐๐ฃ๐ ๐๐๐ฉ๐ฉ๐๐ฃ๐ ๐ฅ๐ง๐ค๐ฌ๐๐จ๐จ ๐๐๐ซ๐ ๐๐๐ก๐ฅ๐๐ ๐๐๐จ ๐ฉ๐๐๐ข ๐จ๐ฉ๐๐๐ก๐ ๐๐ค๐ข๐ฅ๐๐ฉ๐๐ฉ๐๐ซ๐ ๐๐ฃ ๐ค๐ฃ๐ ๐ค๐ ๐ฉ๐๐ ๐ข๐ค๐จ๐ฉ ๐๐ญ๐๐๐ฉ๐๐ฃ๐ ๐ก๐๐๐๐ช๐๐จ ๐๐ฃ ๐ฉ๐๐ ๐๐ง๐๐๐ ๐๐ฉ ๐ฌ๐ค๐ง๐ก๐.
๐๐๐๐๐ฃ๐’๐จ ๐๐ฅ๐ฅ๐ง๐ค๐๐๐ ๐ฉ๐ค ๐ฉ๐๐ ๐๐๐ ๐๐๐จ ๐๐ก๐ฌ๐๐ฎ๐จ ๐๐๐๐ฃ ๐ข๐๐ฉ๐๐ค๐๐๐๐๐ก. ๐๐ ๐๐จ ๐ ๐ฃ๐ค๐ฌ๐ฃ ๐๐ค๐ง ๐๐๐จ ๐๐ง๐๐๐ ๐๐ฉ๐๐ฃ๐ ๐๐ฃ๐ฉ๐๐ก๐ก๐๐๐๐ฃ๐๐,๐๐๐๐ง๐๐จ๐จ๐๐ซ๐, ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฉ๐ค ๐ง๐๐๐ ๐ฉ๐๐ ๐๐๐ข๐, ๐๐ฃ๐ ๐๐๐ก๐ข๐ฃ๐๐จ๐จ ๐ช๐ฃ๐๐๐ง ๐ฅ๐ง๐๐จ๐จ๐ช๐ง๐. ๐๐ฃ ๐ฉ๐๐ 2025 ๐จ๐๐๐จ๐ค๐ฃ, ๐๐๐๐๐ฃ๐’๐จ ๐ง๐ค๐ก๐ ๐๐จ ๐ข๐ค๐ง๐ ๐๐ง๐ช๐๐๐๐ก ๐ฉ๐๐๐ฃ ๐๐ซ๐๐ง, ๐๐จ ๐๐๐จ ๐๐ญ๐ฅ๐๐ง๐๐๐ฃ๐๐ ๐๐ฃ๐ ๐๐ช๐๐๐๐ฃ๐๐ ๐๐๐ก๐ฅ ๐ฉ๐๐ ๐ฎ๐ค๐ช๐ฃ๐๐๐ง ๐ฅ๐ก๐๐ฎ๐๐ง๐จ ๐๐ฃ ๐๐๐จ ๐ฉ๐๐๐ข ๐ฅ๐ก๐๐ฎ๐๐ง๐จ, ๐ฃ๐๐ซ๐๐๐๐ฉ๐ ๐ฉ๐๐ ๐๐๐จ๐ฉ-๐ฅ๐๐๐๐ ๐ฃ๐๐ฉ๐ช๐ง๐ ๐ค๐ ๐20 ๐๐ง๐๐๐ ๐๐ฉ.
✌ ๐๐๐ ๐๐๐ง๐จ๐ค๐ฃ๐๐ก ๐๐๐๐ ๐ค๐ ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐
๐ฝ๐๐๐๐ฃ๐ ๐ฉ๐๐ ๐จ๐ฉ๐ค๐๐ ๐๐ง๐๐๐ ๐๐ฉ๐๐ง ๐ก๐๐๐จ ๐ ๐ข๐๐ฃ ๐ฌ๐๐ค ๐๐จ ๐๐๐๐ฅ๐ก๐ฎ ๐๐ค๐ข๐ข๐๐ฉ๐ฉ๐๐ ๐ฉ๐ค ๐๐๐จ ๐๐๐ข๐๐ก๐ฎ, ๐๐๐จ ๐ง๐ค๐ค๐ฉ๐จ, ๐๐ฃ๐ ๐ฉ๐๐ ๐๐๐ข๐ ๐๐ ๐ก๐ค๐ซ๐๐จ. ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐๐ช๐ข๐๐ก๐๐ฉ๐ฎ ๐๐ฃ๐ ๐๐๐๐๐๐๐ฉ๐๐ค๐ฃ ๐ฉ๐ค ๐๐๐จ ๐๐ง๐๐๐ฉ ๐๐๐ซ๐ ๐ฌ๐ค๐ฃ ๐๐๐ข ๐๐๐ฃ๐จ ๐๐๐ง๐ค๐จ๐จ ๐ฉ๐๐ ๐ฌ๐ง๐ค๐ก๐. ๐๐ ๐๐จ ๐ ๐ง๐ค๐ก๐ ๐ข๐ค๐๐๐ก ๐ฃ๐ค๐ฉ ๐๐ช๐จ๐ฉ ๐๐ค๐ง ๐๐จ๐ฅ๐๐ง๐๐ฃ๐ ๐๐ง๐๐๐ ๐๐ฉ๐๐ง๐จ ๐๐ช๐ฉ ๐๐ค๐ง ๐๐ฃ๐ฎ๐ค๐ฃ๐ ๐ฌ๐๐ค ๐ฉ๐ง๐ช๐จ๐ฉ ๐๐ฃ ๐ฉ๐๐ ๐ฅ๐ค๐ฌ๐๐ง ๐ค๐ ๐๐๐ง๐ ๐ฌ๐ค๐ง๐ ๐๐ฃ๐ ๐๐ฃ๐ ๐ฅ๐๐ง๐จ๐๐ซ๐๐ง๐๐ฃ๐๐.
๐๐ฃ 2025, ๐๐๐๐๐ฃ๐ ๐๐๐จ ๐๐ก๐จ๐ค ๐ช๐จ๐๐ ๐๐๐จ ๐ฅ๐ก๐๐ฉ๐๐ค๐ง๐ข ๐ฉ๐ค ๐๐ฃ๐จ๐ฅ๐๐ง๐ ๐ฉ๐๐ ๐ฃ๐๐ญ๐ฉ ๐๐๐ฃ๐๐ง๐๐ฉ๐๐ค๐ฃ ๐ค๐ ๐๐ง๐๐๐ ๐๐ฉ๐๐ง๐จ. ๐๐๐จ ๐ฅ๐๐๐ก๐๐ฃ๐ฉ๐๐ง๐ค๐ฅ๐๐ ๐๐๐๐ค๐ง๐ฉ๐จ ๐๐ฃ๐ ๐๐ค๐ฃ๐ฉ๐ง๐๐๐ช๐ฉ๐๐ค๐ฃ๐จ ๐ฉ๐ค ๐๐ง๐๐จ๐จ๐ง๐ค๐ค๐ฉ๐จ ๐๐ง๐๐๐ ๐๐ฉ ๐๐๐ซ๐ ๐๐ช๐ง๐ฉ๐๐๐ง ๐จ๐ค๐ก๐๐๐๐๐๐๐ ๐๐๐จ ๐ฅ๐ก๐๐๐ ๐๐จ ๐ ๐ง๐ค๐ก๐ ๐ข๐ค๐๐๐ก ๐๐ฃ ๐ฉ๐๐ ๐๐ง๐๐๐ ๐๐ฉ, ๐จ๐ฅ๐ค๐ง๐ฉ. ๐๐๐๐ฉ๐๐๐ง ๐๐ฉ’๐จ ๐ฉ๐๐ง๐ค๐ช๐๐ ๐๐๐จ ๐๐๐๐ง๐๐ฉ๐๐๐ก๐ ๐๐ฃ๐๐ฉ๐๐๐ฉ๐๐ซ๐๐จ ๐ค๐ง ๐๐๐จ ๐ข๐๐ฃ๐ฉ๐ค๐ง๐๐ฃ๐ ๐ค๐ ๐ฎ๐ค๐ช๐ฃ๐๐๐ง ๐ฅ๐ก๐๐ฎ๐๐ง๐จ, ๐๐๐๐๐ฃ๐ ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐๐จ ๐ฉ๐ค ๐ข๐๐ ๐ ๐ ๐ฅ๐ค๐จ๐๐ฉ๐๐ซ๐ ๐๐ข๐ฅ๐๐๐ฉ ๐ค๐ฃ ๐๐ฃ๐ ๐ค๐๐ ๐ฉ๐๐ ๐๐๐๐ก๐ ๐ค๐ ๐จ๐ฅ๐ค๐ง๐ฉ.
✌ ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐'๐จ ๐๐๐๐๐๐ฎ: ๐๐๐๐ฉ ๐๐๐๐จ ๐ผ๐๐๐๐!!!!!!!!!!! ๐
๐ผ๐จ ๐ฌ๐ ๐ก๐ค๐ค๐ ๐๐๐๐๐ ๐ฉ๐ค ๐ฉ๐๐ ๐๐ช๐ฉ๐ช๐ง๐ ๐ค๐ ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐ ๐๐ฃ 2025, ๐๐ฉ’๐จ ๐๐ก๐๐๐ง ๐ฉ๐๐๐ฉ ๐๐๐จ ๐ก๐๐๐๐๐ฎ ๐๐จ ๐๐๐ง ๐๐ง๐ค๐ข ๐ค๐ซ๐๐ง. ๐ฟ๐๐จ๐ฅ๐๐ฉ๐ ๐๐๐๐ฃ๐ ๐๐ฃ ๐ฉ๐๐ ๐ก๐๐ฉ๐๐ง ๐จ๐ฉ๐๐๐๐จ ๐ค๐ ๐๐๐จ ๐๐๐ง๐๐๐ง, ๐๐๐๐๐ฃ๐’๐จ ๐๐ฃ๐๐ก๐ช๐๐ฃ๐๐ ๐ค๐ฃ ๐๐ฃ๐๐๐๐ฃ ๐๐ง๐๐๐ ๐๐ฉ ๐ง๐๐ข๐๐๐ฃ๐จ ๐ฅ๐ง๐ค๐๐ค๐ช๐ฃ๐. ๐๐๐จ ๐๐๐๐ก๐๐ฉ๐ฎ ๐ฉ๐ค ๐๐ซ๐ค๐ก๐ซ๐ ๐ฌ๐๐ฉ๐ ๐ฉ๐๐ ๐๐๐ข๐, ๐๐๐๐ฅ๐ฉ ๐ฉ๐ค ๐๐๐๐๐๐ง๐๐ฃ๐ฉ ๐๐ค๐ง๐ข๐๐ฉ๐จ ๐ค๐ ๐ข๐ค๐ง๐๐๐ฃ ๐๐ง๐๐๐ ๐๐ฉ, ๐๐ฃ๐ ๐ก๐๐๐ ๐๐ฎ ๐๐ญ๐๐ข๐ฅ๐ก๐ ๐๐๐จ ๐จ๐๐ฉ ๐ ๐๐๐ฃ๐๐๐ข๐๐ง๐ ๐๐ค๐ง ๐ฎ๐ค๐ช๐ฃ๐๐๐ง ๐ฅ๐ก๐๐ฎ๐๐ง๐จ ๐ฉ๐ค ๐๐ค๐ก๐ก๐ค๐ฌ ๐๐ฃ๐ ๐๐ข๐ฅ๐ง๐ค๐ซ๐ ๐ฉ๐๐๐ข.
๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐ก๐๐๐๐๐ฎ ๐๐จ ๐ฃ๐ค๐ฉ ๐๐ช๐จ๐ฉ ๐๐๐ค๐ช๐ฉ ๐ฉ๐๐ ๐ง๐ช๐ฃ๐จ ๐๐ ๐จ๐๐ค๐ง๐๐จ ๐ค๐ง ๐ฉ๐๐ ๐ข๐๐ฉ๐๐๐๐จ ๐๐ ๐ฌ๐๐ฃ๐จ. ๐๐ฉ’๐จ ๐๐๐ค๐ช๐ฉ ๐ฉ๐๐ ๐จ๐ฅ๐๐ง๐๐ฉ ๐๐ ๐๐ง๐๐ฃ๐๐จ ๐ฉ๐ค ๐ฉ๐๐ ๐๐๐ข๐—๐ฉ๐๐ ๐ช๐ฃ๐ฌ๐๐ซ๐๐ง๐๐ฃ๐ ๐๐๐๐๐๐๐ฉ๐๐ค๐ฃ, ๐ฉ๐๐ ๐๐ช๐ข๐๐ก๐๐ฉ๐ฎ, ๐๐ฃ๐ ๐ฉ๐๐ ๐ฅ๐๐จ๐จ๐๐ค๐ฃ ๐๐ค๐ง ๐ฉ๐๐ ๐๐ง๐๐๐ ๐๐ฉ. ๐๐ฃ 2025, ๐ผ. ๐๐๐๐๐ฃ๐ ๐๐จ ๐ฃ๐ค๐ฉ ๐๐ช๐จ๐ฉ ๐ ๐๐ง๐๐๐ ๐๐ฉ๐๐ง; ๐๐ ๐๐จ ๐๐ฃ ๐๐ฃ๐จ๐ฉ๐๐ฉ๐ช๐ฉ๐๐ค๐ฃ ๐๐ฃ ๐๐ฃ๐๐๐๐ฃ ๐๐ง๐๐๐ ๐๐ฉ, ๐ค๐ฃ๐ ๐ฌ๐๐ค๐จ๐ ๐๐ข๐ฅ๐๐๐ฉ ๐ฌ๐๐ก๐ก ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐ ๐ฉ๐ค ๐ง๐๐จ๐ค๐ฃ๐๐ฉ๐ ๐๐ค๐ง ๐ฎ๐๐๐ง๐จ ๐ฉ๐ค ๐ฎ๐๐๐ง ๐๐๐ข๐.
✌๐พ๐ค๐ฃ๐๐ก๐ช๐จ๐๐ค๐ฃ✌
๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐’๐จ ๐๐ค๐ช๐ง๐ฃ๐๐ฎ ๐๐ฃ 2025 ๐๐จ ๐ ๐ฉ๐๐จ๐ฉ๐๐ข๐๐ฃ๐ฉ ๐ฉ๐ค ๐๐๐จ ๐๐ฃ๐๐ช๐ง๐๐ฃ๐ ๐๐ก๐๐จ๐จ, ๐๐๐๐ฅ๐ฉ๐๐๐๐ก๐๐ฉ๐ฎ, ๐๐ฃ๐ ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐๐ฃ ๐ฉ๐๐ ๐ฌ๐ค๐ง๐ก๐ ๐ค๐ ๐๐ง๐๐๐ ๐๐ฉ. ๐๐๐๐ฉ๐๐๐ง ๐๐ฉ'๐จ ๐๐ฃ ๐๐๐จ๐ฉ ๐ข๐๐ฉ๐๐๐๐จ, ๐๐ฃ๐-๐ฟ๐๐ฎ ๐๐ฃ๐ฉ๐๐ง๐ฃ๐๐ฉ๐๐ค๐ฃ๐๐ก๐จ, ๐20๐จ, ๐ค๐ง ๐ฉ๐๐ ๐๐๐, ๐ฟ๐ค๐ข๐๐จ๐ฉ๐๐ ๐ข๐๐ฉ๐๐ ๐๐๐๐๐ฃ๐’๐จ ๐๐ค๐ฃ๐ฉ๐ง๐๐๐ช๐ฉ๐๐ค๐ฃ ๐ฉ๐ค ๐๐ฃ๐๐๐๐ฃ ๐๐ง๐๐๐ ๐๐ฉ ๐ฉ๐๐๐ข ๐๐จ ๐ช๐ฃ๐ฅ๐๐ง๐๐ก๐ก๐๐ก๐๐. ๐ผ๐จ ๐๐ ๐๐ค๐ฃ๐ฉ๐๐ฃ๐ช๐๐จ ๐ฉ๐ค ๐๐๐ง๐ซ๐ ๐ค๐ช๐ฉ ๐๐๐จ ๐ก๐๐๐๐๐ฎ, ๐๐๐๐๐ฃ๐ ๐ง๐๐ข๐๐๐ฃ๐จ ๐ ๐ฉ๐ง๐ช๐ ๐๐ข๐๐๐จ๐จ๐๐๐ค๐ง ๐ค๐ ๐ฉ๐๐ ๐๐ง๐๐๐ ๐๐ฉ, ๐จ๐ฅ๐ค๐ง๐ฉ, ๐๐ฃ๐จ๐ฅ๐๐ง๐๐ฃ๐ ๐๐ช๐ฉ๐ช๐ง๐ ๐๐๐ฃ๐๐ง๐๐ฉ๐๐ค๐ฃ๐จ ๐ค๐ ๐๐ง๐๐๐ ๐๐ฉ๐๐ง๐จ ๐ฉ๐ค ๐๐ค๐ก๐ก๐ค๐ฌ ๐๐ฃ ๐๐๐จ ๐๐ค๐ค๐ฉ๐จ๐ฉ๐๐ฅ๐จ. ๐๐๐จ ๐๐ค๐ช๐ง๐ฃ๐๐ฎ ๐๐จ ๐๐๐ง ๐๐ง๐ค๐ข ๐ค๐ซ๐๐ง, ๐๐ฃ๐ ๐ฌ๐ ๐๐๐ฃ ๐ค๐ฃ๐ก๐ฎ ๐๐ญ๐ฅ๐๐๐ฉ ๐ข๐ค๐ง๐ ๐๐ง๐๐ก๐ก๐๐๐ฃ๐๐ ๐๐ง๐ค๐ข ๐ผ๐๐๐ฃ๐ ๐ฎ๐ ๐๐๐๐๐ฃ๐ ๐๐ฃ ๐ฉ๐๐ ๐ฎ๐๐๐ง๐จ ๐ฉ๐ค ๐๐ค๐ข๐. ๐๐๐๐ฃ๐ ๐ฎ๐ค๐ช
๐ฟ๐๐๐๐ ๐พ๐, ๐พ๐๐๐๐ ๐๐ผ๐๐๐๐๐๐ ๐๐ ๐ฟ๐๐๐๐ 2025
๐๐ง๐จ. ๐๐๐๐๐ผ ๐๐๐๐๐ผ, ๐พ. ๐., ๐ฟ๐๐๐๐
๐๐ฃ ๐ ๐๐๐จ๐ฉ๐ค๐ง๐๐๐๐ก ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐ก ๐๐๐๐ฃ๐๐, ๐ฟ๐๐ก๐๐ ๐ฌ๐๐ก๐๐ค๐ข๐๐ ๐๐ฉ๐จ ๐ฃ๐๐ฌ ๐พ๐๐๐๐ ๐๐๐ฃ๐๐จ๐ฉ๐๐ง, ๐๐ง๐จ.๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐, ๐ค๐ฃ 20๐ฉ๐ ๐๐๐๐ง๐ช๐๐ง๐ฎ 2025. ๐๐๐๐จ ๐จ๐๐๐ฃ๐๐๐๐๐๐ฃ๐ฉ ๐๐ซ๐๐ฃ๐ฉ ๐ข๐๐ง๐ ๐จ ๐ฉ๐๐ ๐ฝ๐๐๐ง๐๐ฉ๐๐ฎ๐ ๐ ๐๐ฃ๐๐ฉ๐ ๐๐๐ง๐ฉ๐ฎ'๐จ (๐ฝ๐ ๐) ๐ง๐๐ฉ๐ช๐ง๐ฃ ๐ฉ๐ค ๐ฅ๐ค๐ฌ๐๐ง ๐๐ฃ ๐ฉ๐๐ ๐๐๐ฉ๐๐ค๐ฃ๐๐ก ๐พ๐๐ฅ๐๐ฉ๐๐ก ๐๐๐ง๐ง๐๐ฉ๐ค๐ง๐ฎ ๐๐๐ฉ๐๐ง ๐ 27-๐ฎ๐๐๐ง ๐ก๐ค๐ฃ๐ ๐ฅ๐๐ง๐๐ค๐. ๐๐๐ 2025 ๐ฟ๐๐ก๐๐ ๐๐๐๐๐จ๐ก๐๐ฉ๐๐ซ๐ ๐ผ๐จ๐จ๐๐ข๐๐ก๐ฎ ๐๐ก๐๐๐ฉ๐๐ค๐ฃ๐จ ๐ฌ๐๐ง๐ ๐ ๐ฉ๐ช๐ง๐ฃ๐๐ฃ๐ ๐ฅ๐ค๐๐ฃ๐ฉ, ๐ฌ๐๐ฉ๐ ๐ฉ๐๐ ๐ฝ๐ ๐ ๐จ๐๐๐ช๐ง๐๐ฃ๐ 48 ๐ค๐ช๐ฉ ๐ค๐ 70 ๐จ๐๐๐ฉ๐จ, ๐๐๐๐๐๐ฉ๐๐ซ๐๐ก๐ฎ ๐๐ฃ๐๐๐ฃ๐ ๐ฉ๐๐ ๐๐๐๐๐๐-๐ก๐ค๐ฃ๐ ๐๐ค๐ซ๐๐ง๐ฃ๐๐ฃ๐๐ ๐ค๐ ๐๐๐ ๐ผ๐๐ข ๐ผ๐๐๐ข๐ ๐๐๐ง๐ฉ๐ฎ.
๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐, ๐ ๐๐๐ง๐จ๐ฉ-๐ฉ๐๐ข๐ ๐๐๐ข๐๐๐ง ๐ค๐ ๐ฉ๐๐ ๐๐๐๐๐จ๐ก๐๐ฉ๐๐ซ๐ ๐ผ๐จ๐จ๐๐ข๐๐ก๐ฎ (๐๐๐ผ) ๐๐ง๐ค๐ข ๐๐๐๐ก๐๐ข๐๐ง ๐ฝ๐๐๐.
๐๐๐ง ๐๐ค๐ช๐ง๐ฃ๐๐ฎ ๐๐ง๐ค๐ข ๐ ๐จ๐ฉ๐ช๐๐๐ฃ๐ฉ ๐ก๐๐๐๐๐ง ๐ฉ๐ค ๐ฉ๐๐ ๐ฟ๐๐ก๐๐ ๐พ๐ ๐๐ฃ 2025 ๐๐จ ๐ ๐ฉ๐๐จ๐ฉ๐๐ข๐๐ฃ๐ฉ ๐ฉ๐ค ๐๐๐ง ๐๐๐๐๐๐๐ฉ๐๐ค๐ฃ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ซ๐ค๐ก๐ซ๐๐ฃ๐ ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐ก ๐ก๐๐ฃ๐๐จ๐๐๐ฅ๐ ๐ค๐ ๐ฉ๐๐ ๐๐๐ฉ๐ฎ. ๐ฝ๐ค๐ง๐ฃ ๐ค๐ฃ 19๐ฉ๐ ๐ ๐ช๐ก๐ฎ 1974 ๐๐ฃ ๐ ๐ช๐ก๐๐ฃ๐, ๐๐๐ง๐ฎ๐๐ฃ๐, ๐๐ช๐ฅ๐ฉ๐'๐จ ๐๐๐ง๐ก๐ฎ ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐ก ๐๐ฃ๐๐ก๐๐ฃ๐๐ฉ๐๐ค๐ฃ๐จ ๐ฌ๐๐ง๐ ๐๐ซ๐๐๐๐ฃ๐ฉ ๐๐ช๐ง๐๐ฃ๐ ๐๐๐ง ๐ฉ๐๐ฃ๐ช๐ง๐ ๐๐จ ๐ฉ๐๐ ๐๐ง๐๐จ๐๐๐๐ฃ๐ฉ (๐ผ๐ฝ๐๐) ๐ค๐ ๐ฉ๐๐ ๐ฟ๐๐ก๐๐ ๐๐ฃ๐๐ซ๐๐ง๐จ๐๐ฉ๐ฎ ๐๐ฉ๐ช๐๐๐ฃ๐ฉ๐จ' ๐๐ฃ๐๐ค๐ฃ ๐๐ฃ 1996. ๐๐๐ง ๐๐๐ฉ๐๐ซ๐ ๐๐ฃ๐ซ๐ค๐ก๐ซ๐๐ข๐๐ฃ๐ฉ ๐ฌ๐๐ฉ๐ ๐ฉ๐๐ ๐ผ๐ ๐๐๐ก ๐ฝ๐๐๐ง๐๐ฉ๐๐ฎ๐ ๐๐๐๐ฎ๐๐ง๐ฉ๐๐ ๐๐๐ง๐๐จ๐๐๐ ๐ก๐๐๐ ๐ ๐ง๐ค๐๐ช๐จ๐ฉ ๐๐ค๐ช๐ฃ๐๐๐ฉ๐๐ค๐ฃ ๐๐ค๐ง ๐๐๐ง ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐ก ๐๐ค๐ฌ๐ฉ๐.
๐ฝ๐๐๐ค๐ง๐ ๐๐จ๐๐๐ฃ๐๐๐ฃ๐ ๐ฉ๐ค ๐ฉ๐๐ ๐ฅ๐ค๐จ๐๐ฉ๐๐ค๐ฃ ๐ค๐ ๐ฟ๐๐ก๐๐ ๐พ๐ ๐๐ฃ 2025, ๐๐ช๐ฅ๐ฉ๐ ๐จ๐๐ง๐ซ๐๐ ๐๐จ ๐ ๐ฉ๐๐ง๐๐-๐ฉ๐๐ข๐ ๐๐ค๐ช๐ฃ๐๐๐ก๐ก๐ค๐ง ๐๐ฃ๐ ๐๐๐ก๐ ๐ฉ๐๐ ๐๐จ๐ฉ๐๐๐ข๐๐ ๐ง๐ค๐ก๐ ๐ค๐ "๐๐๐ฎ๐ค๐ง"๐ค๐ ๐ฉ๐๐ ๐๐ค๐ช๐ฉ๐ ๐ฟ๐๐ก๐๐ ๐๐ช๐ฃ๐๐๐๐ฅ๐๐ก ๐พ๐ค๐ง๐ฅ๐ค๐ง๐๐ฉ๐๐ค๐ฃ. ๐๐๐ง ๐๐ญ๐ฉ๐๐ฃ๐จ๐๐ซ๐ ๐๐ญ๐ฅ๐๐ง๐๐๐ฃ๐๐ ๐๐ฃ ๐ข๐ช๐ฃ๐๐๐๐ฅ๐๐ก ๐๐ค๐ซ๐๐ง๐ฃ๐๐ฃ๐๐ ๐๐ฆ๐ช๐๐ฅ๐ฅ๐๐ ๐๐๐ง ๐ฌ๐๐ฉ๐ ๐ ๐ฅ๐ง๐ค๐๐ค๐ช๐ฃ๐ ๐ช๐ฃ๐๐๐ง๐จ๐ฉ๐๐ฃ๐๐๐ฃ๐ ๐ค๐ ๐ฟ๐๐ก๐๐'๐จ ๐๐๐ข๐๐ฃ๐๐จ๐ฉ๐ง๐๐ฉ๐๐ซ๐ ๐๐ฃ๐ ๐๐ฃ๐๐ง๐๐จ๐ฉ๐ง๐ช๐๐ฉ๐ช๐ง๐๐ก ๐๐๐๐ก๐ก๐๐ฃ๐๐๐จ. ๐ผ๐จ ๐ฉ๐๐ ๐๐๐ฉ๐๐ค๐ฃ๐๐ก ๐๐๐๐ ๐๐ง๐๐จ๐๐๐๐ฃ๐ฉ ๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐ ๐ค๐ ๐ฉ๐๐ ๐ฝ๐ ๐ ๐๐๐๐๐ก๐ ๐๐ค๐ง๐๐๐, ๐จ๐๐ ๐๐๐จ ๐๐๐๐ฃ ๐ ๐จ๐ฉ๐๐ช๐ฃ๐๐ ๐๐๐ซ๐ค๐๐๐ฉ๐ ๐๐ค๐ง ๐ฌ๐ค๐ข๐๐ฃ'๐จ ๐๐ข๐ฅ๐ค๐ฌ๐๐ง๐ข๐๐ฃ๐ฉ, ๐ง๐๐๐ก๐๐๐ฉ๐๐ฃ๐ ๐๐๐ง ๐๐ค๐ข๐ข๐๐ฉ๐ข๐๐ฃ๐ฉ ๐ฉ๐ค ๐จ๐ค๐๐๐๐ฉ๐ฎ ๐ฅ๐ง๐ค๐๐ง๐๐จ๐จ.
๐๐๐ 2025 ๐ฟ๐๐ก๐๐ ๐๐ก๐๐๐ฉ๐๐ค๐ฃ๐จ ๐ฌ๐๐ง๐ ๐ฃ๐ค๐ฉ ๐๐ช๐จ๐ฉ ๐ ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐ก ๐๐ค๐ฃ๐ฉ๐๐จ๐ฉ ๐๐ช๐ฉ ๐ ๐ง๐๐๐ก๐๐๐ฉ๐๐ค๐ฃ ๐ค๐ ๐ฉ๐๐ ๐๐๐ฉ๐ฎ'๐จ ๐๐จ๐ฅ๐๐ง๐๐ฉ๐๐ค๐ฃ๐จ ๐๐ค๐ง ๐๐๐๐ฃ๐๐. ๐๐๐ ๐๐ก๐๐๐ฉ๐ค๐ง๐๐ฉ๐'๐จ ๐๐ค๐ฃ๐๐๐ง๐ฃ๐จ ๐ง๐๐ฃ๐๐๐ ๐๐ง๐ค๐ข ๐๐ฃ๐ซ๐๐ง๐ค๐ฃ๐ข๐๐ฃ๐ฉ๐๐ก ๐๐จ๐จ๐ช๐๐จ, ๐จ๐ช๐๐ ๐๐จ ๐ฉ๐๐ ๐ฅ๐๐ง๐จ๐๐จ๐ฉ๐๐ฃ๐ฉ ๐ฅ๐ค๐ก๐ก๐ช๐ฉ๐๐ค๐ฃ ๐ค๐ ๐ฉ๐๐ ๐๐๐ข๐ช๐ฃ๐ ๐๐๐ซ๐๐ง, ๐ฉ๐ค ๐๐ฃ๐๐ง๐๐จ๐ฉ๐ง๐ช๐๐ฉ๐ช๐ง๐๐ก ๐๐ฃ๐๐๐๐ฆ๐ช๐๐๐๐๐จ ๐๐ฃ๐ ๐๐ก๐ก๐๐๐๐ฉ๐๐ค๐ฃ๐จ ๐ค๐ ๐๐ค๐ง๐ง๐ช๐ฅ๐ฉ๐๐ค๐ฃ ๐๐๐๐๐ฃ๐จ๐ฉ ๐ฉ๐๐ ๐๐ฃ๐๐ช๐ข๐๐๐ฃ๐ฉ ๐ผ๐ผ๐ ๐๐ค๐ซ๐ฉ. ๐๐๐๐จ๐ ๐ฅ๐ง๐๐จ๐จ๐๐ฃ๐ ๐๐จ๐จ๐ช๐๐จ, ๐๐ค๐ช๐ฅ๐ก๐๐ ๐ฌ๐๐ฉ๐ ๐ ๐๐๐จ๐๐ง๐ ๐๐ค๐ง ๐ฉ๐ง๐๐ฃ๐จ๐ฅ๐๐ง๐๐ฃ๐ฉ ๐๐ค๐ซ๐๐ง๐ฃ๐๐ฃ๐๐, ๐ฅ๐๐ซ๐๐ ๐ฉ๐๐ ๐ฌ๐๐ฎ ๐๐ค๐ง ๐ฉ๐๐ ๐ฝ๐๐๐ง๐ฉ๐๐ฎ๐ ๐๐๐ฃ๐ฉ๐ ๐ฅ๐๐ง๐ฉ๐ฎ'๐จ ๐ง๐๐จ๐ช๐ง๐๐๐ฃ๐๐ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ฅ๐ฅ๐ค๐๐ฃ๐ฉ๐ข๐๐ฃ๐ฉ ๐ค๐ ๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐ ๐๐จ ๐ฟ๐๐ก๐๐ ๐พ๐ ๐๐ฃ 2025.
๐๐ช๐ฅ๐ฉ๐'๐จ ๐ซ๐๐๐ฉ๐ค๐ง๐ฎ ๐๐ฃ ๐ฉ๐๐ ๐๐๐๐ก๐๐ข๐๐ง ๐ฝ๐๐๐(๐๐๐ก๐๐) ๐๐ค๐ฃ๐จ๐ฉ๐๐ฉ๐ช๐๐ฃ๐๐ฎ ๐ฌ๐๐จ ๐ฅ๐๐ง๐ฉ๐๐๐ช๐ก๐๐ง๐ก๐ฎ ๐ฃ๐ค๐ฉ๐๐ฌ๐ค๐ง๐ฉ๐๐ฎ. ๐๐๐ ๐๐๐๐๐๐ฉ๐๐ ๐ผ๐ผ๐'๐จ ๐ฝ๐๐ฃ๐๐๐ฃ๐ ๐๐ช๐ข๐๐ง๐ ๐๐ฎ ๐ ๐ข๐๐ง๐๐๐ฃ ๐ค๐ 29,595 ๐ซ๐ค๐ฉ๐๐จ, ๐๐๐จ๐ข๐๐ฃ๐ฉ๐ก๐๐ฃ๐ ๐ผ๐ผ๐'๐จ ๐๐๐๐๐๐-๐ก๐ค๐ฃ๐ ๐จ๐ฉ๐ง๐ค๐ฃ๐๐๐ค๐ก๐ ๐๐ฃ ๐ฉ๐๐ ๐๐ง๐๐. ๐๐๐๐จ ๐ฉ๐ง๐๐ช๐ข๐ฅ๐ ๐ช๐ฃ๐๐๐ง๐จ๐๐ค๐ง๐๐ ๐ฉ๐๐ ๐ฅ๐ช๐๐ก๐๐'๐จ ๐ฉ๐ง๐ช๐จ๐ฉ ๐๐ฃ ๐๐๐ง ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐๐ฃ๐ ๐ฉ๐๐ ๐ฝ๐ ๐'๐จ ๐ซ๐๐จ๐๐ค๐ฃ ๐๐ค๐ง ๐ฟ๐๐ก๐๐'๐จ ๐๐ช๐ฉ๐ช๐ง๐,๐๐ง๐ค๐ฌ๐ฉ๐. ๐ผ๐จ ๐ฉ๐๐ ๐ฟ๐๐ก๐๐ ๐พ๐ ๐๐ฃ 2025, ๐๐ช๐ฅ๐ฉ๐ ๐๐๐จ ๐๐ง๐ฉ๐๐๐ช๐ก๐๐ฉ๐๐ ๐ ๐๐ค๐ข๐ฅ๐ง๐๐๐๐ฃ๐จ๐๐ซ๐ ๐๐๐๐ฃ๐๐ ๐๐๐ข๐๐ ๐๐ฉ ๐๐๐๐ง๐๐จ๐จ๐๐ฃ๐ ๐ฉ๐๐ ๐๐๐ฉ๐ฎ'๐จ ๐ข๐ช๐ก๐ฉ๐๐๐๐๐๐ฉ๐๐ ๐๐๐๐ก๐ก๐๐ฃ๐๐๐จ.
๐๐ฃ๐ ๐ค๐ ๐๐๐ง ๐๐ข๐ข๐๐๐๐๐ฉ๐ ๐๐ฃ๐ ๐ข๐๐๐ฃ ๐ฅ๐ง๐๐ค๐ง๐๐ฉ๐๐๐จ ๐๐จ ๐๐ค๐ข๐๐๐ฉ๐๐ฃ๐ ๐ฟ๐๐ก๐๐'๐จ ๐ฃ๐ค๐ฉ๐ค๐ง๐๐ค๐ช ๐ฉ๐๐จ ๐๐๐ง ๐๐ฃ๐ ๐ฌ๐๐ฉ๐๐ง ๐ฅ๐ค๐ก๐ก๐ช๐ฉ๐๐ค๐ฃ. ๐๐๐ ๐๐๐ข๐ช๐ฃ๐ ๐๐๐ซ๐๐ง, ๐ค๐๐ฉ๐๐ฃ ๐ง๐๐๐๐ง๐ง๐๐ ๐ฉ๐ค ๐๐จ ๐ฉ๐๐ ๐ก๐๐๐๐ก๐๐ฃ๐ ๐ค๐ ๐ฟ๐๐ก๐๐, ๐๐๐จ ๐จ๐ช๐๐๐๐ง๐๐ ๐๐ง๐ค๐ข ๐ฎ๐๐๐ง๐จ ๐ค๐ ๐๐ค๐ฃ๐ฉ๐๐ข๐๐ฃ๐๐ฉ๐๐ค๐ฃ. ๐๐ช๐ฅ๐ฉ๐'๐จ ๐๐๐ข๐๐ฃ๐๐จ๐ฉ๐ง๐๐ฉ๐๐ค๐ฃ ๐๐จ ๐ฅ๐ค๐๐จ๐๐ ๐ฉ๐ค ๐๐ข๐ฅ๐ก๐๐ข๐๐ฃ๐ฉ ๐จ๐ฉ๐ง๐๐ฃ๐๐๐ฃ๐ฉ ๐ข๐๐๐จ๐ช๐ง๐๐จ ๐ฉ๐ค ๐ง๐๐๐ช๐ซ๐๐ฃ๐๐ฉ๐ ๐ฉ๐๐ ๐ง๐๐ซ๐๐ง ๐๐ฃ๐ ๐๐ฃ๐๐๐ฃ๐๐ ๐ฉ๐๐ ๐๐๐ฉ๐ฎ'๐จ ๐ค๐ซ๐๐ง๐๐ก๐ก ๐๐ฃ๐ซ๐๐ง๐ค๐ฃ๐ข๐๐ฃ๐ฉ๐๐ก ๐๐๐๐ก๐ฉ๐. ๐ผ๐๐๐๐ฉ๐๐ค๐ฃ๐๐ก๐ก๐ฎ, ๐๐ฃ๐๐ง๐๐จ๐ฉ๐ง๐ช๐๐ฉ๐ช๐ง๐ ๐๐๐ซ๐๐ก๐ค๐ฅ๐ข๐๐ฃ๐ฉ, ๐ฅ๐๐ง๐ฉ๐๐๐ช๐ก๐๐ง๐ก๐ฎ ๐๐ฃ ๐ช๐ฃ๐๐๐ง๐จ๐๐ง๐ซ๐๐ ๐๐ง๐๐๐จ, ๐๐จ ๐จ๐๐ฉ ๐ฉ๐ค ๐ง๐๐๐๐๐ซ๐ ๐๐ค๐๐ช๐จ๐๐ ๐๐ฉ๐ฉ๐๐ฃ๐ฉ๐๐ค๐ฃ ๐ช๐ฃ๐๐๐ง ๐๐๐ง ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ, ๐๐ฃ๐จ๐ฉ๐ง๐ช๐๐ฉ๐๐ค๐ฃ๐จ.
๐๐๐ ๐๐จ๐๐๐ฃ๐จ๐๐ค๐ฃ ๐ค๐ ๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐ ๐๐จ ๐ฟ๐๐ก๐๐ ๐พ๐ ๐๐ฃ 2025 ๐๐ก๐จ๐ค ๐จ๐๐๐ฃ๐๐๐๐๐จ ๐ ๐ฅ๐ง๐ค๐๐ง๐๐จ๐จ๐๐ซ๐ ๐จ๐ฉ๐ง๐๐๐ ๐ฉ๐ค๐ฌ๐๐ง๐๐จ ๐๐๐ฃ๐๐๐ง ๐๐ฃ๐๐ก๐ช๐จ๐๐ซ๐๐ฉ๐ฎ ๐๐ฃ ๐๐ฃ๐๐๐๐ฃ ๐ฅ๐ค๐ก๐๐ฉ๐๐๐จ. ๐๐๐ ๐๐๐๐ค๐ข๐๐จ ๐ฉ๐๐ ๐๐ค๐ช๐ง๐ฉ๐ ๐ฌ๐ค๐ข๐๐ฃ ๐ฉ๐ค ๐๐ค๐ก๐ ๐ฉ๐๐๐จ ๐๐จ๐ฉ๐๐๐ข๐๐ ๐ฅ๐ค๐จ๐๐ฉ๐๐ค๐ฃ ๐๐ฃ ๐ฟ๐๐ก๐๐, ๐๐ค๐๐ฃ๐๐ฃ๐ ๐ฉ๐๐ ๐ง๐๐ฃ๐ ๐จ ๐ค๐ ๐ฅ๐ง๐๐๐๐๐๐จ๐จ๐ค๐ง๐จ ๐ก๐๐ ๐ ๐๐ช๐จ๐๐ข๐ ๐๐ฌ๐๐ง๐๐, ๐๐๐๐๐ก๐ ๐ฟ๐๐ ๐จ๐๐๐ฉ, ๐๐ฃ๐ ๐ผ๐ฉ๐๐จ๐๐ ๐๐๐ง๐ก๐๐ฃ๐. ๐๐ฃ ๐ ๐ฃ๐๐ฉ๐๐ค๐ฃ ๐ฌ๐๐๐ง๐ ๐๐๐ข๐๐ก๐ ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐ก ๐ง๐๐ฅ๐ง๐๐จ๐๐ฃ๐ฉ๐๐ฉ๐๐ค๐ฃ ๐ค๐ ๐ฌ๐ค๐ข๐๐ฃ ๐๐๐จ ๐๐๐๐ฃ ๐ก๐๐ข๐๐ฉ๐๐, ๐๐ช๐ฅ๐ฉ๐'๐จ ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐๐จ ๐๐ค๐ฉ๐ ๐จ๐ฎ๐ข๐๐ค๐ก๐๐ ๐๐ฃ๐ ๐ฉ๐ง๐๐ฃ๐จ๐๐ค๐ง๐ข๐๐ฉ๐๐ซ๐. ๐๐๐ง ๐๐ฅ๐ฅ๐ค๐๐ฃ๐ฉ๐ข๐๐ฃ๐ฉ ๐ง๐๐จ๐ค๐ฃ๐๐ฉ๐๐จ ๐ฌ๐๐ฉ๐ ๐ฉ๐๐ ๐๐ง๐ค๐๐๐๐ง ๐ฃ๐๐ง๐ง๐๐ฉ๐๐ซ๐ ๐ค๐ ๐ฌ๐ค๐ข๐๐ฃ'๐จ ๐๐ข๐ฅ๐ค๐ฌ๐๐ง๐ข๐๐ฃ๐ฉ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ง๐๐๐ ๐๐ฃ๐ ๐ค๐ ๐ฉ๐ง๐๐๐๐ฉ๐๐ค๐ฃ๐๐ก ๐๐๐ง๐ง๐๐๐ง๐จ ๐๐ฃ ๐๐ค๐ซ๐๐ง๐ฃ๐๐ฃ๐๐.
๐๐๐ ๐ค๐๐ฉ๐-๐ฉ๐๐ ๐๐ฃ๐ ๐๐๐ง๐๐ข๐ค๐ฃ๐ฎ ๐๐ฉ ๐๐๐ข๐ก๐๐ก๐ ๐๐๐๐๐๐ฃ ๐ฌ๐๐จ ๐ ๐๐ง๐๐ฃ๐ ๐๐๐๐๐๐ง, ๐๐ฉ๐ฉ๐๐ฃ๐๐๐ ๐๐ฎ ๐ ๐ข๐ช๐ก๐ฉ๐๐ฉ๐ช๐๐ ๐ค๐ ๐๐๐๐ฃ๐๐ฉ๐๐ง๐๐๐จ, ๐ฅ๐๐ง๐ฉ๐ฎ ๐ฌ๐ค๐ง๐ ๐๐ง๐จ, ๐๐ฃ๐ ๐๐๐ฉ๐๐ฏ๐๐ฃ๐จ. ๐๐๐ ๐๐ซ๐๐ฃ๐ฉ ๐ฌ๐๐จ ๐ฃ๐ค๐ฉ ๐๐ช๐จ๐ฉ ๐ ๐๐ค๐ง๐ข๐๐ก ๐๐ฃ๐๐ช๐๐ฉ๐๐ค๐ฃ ๐๐ช๐ฉ ๐ ๐๐๐ก๐๐๐ง๐๐ฉ๐๐ค๐ฃ ๐ค๐ ๐๐๐ข๐ค๐๐ง๐๐ฉ๐๐ ๐ซ๐๐ก๐ช๐๐จ ๐๐ฃ๐ ๐ฉ๐๐ ๐๐ค๐ก๐ก๐๐๐ฉ๐๐ซ๐ ๐๐ค๐ฅ๐ ๐๐ค๐ง ๐ฟ๐๐ก๐๐'๐จ ๐ฅ๐ง๐ค๐จ๐ฅ๐๐ง๐ค๐ช๐จ ๐๐ช๐ฉ๐ช๐ง๐ ๐ช๐ฃ๐๐๐ง ๐ฉ๐๐ ๐จ๐ฉ๐๐ฌ๐๐ง๐๐จ๐๐๐ฅ ๐ค๐ ๐ฟ๐๐ก๐๐ ๐พ๐ 2025,๐๐ง๐จ.๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐. ๐๐ฃ ๐๐๐ง ๐๐ฃ๐๐ช๐๐ช๐ง๐๐ก ๐๐๐๐ง๐๐จ๐จ, ๐จ๐๐ ๐๐ญ๐ฅ๐ง๐๐จ๐จ๐๐ ๐๐ง๐๐ฉ๐๐ฉ๐ช๐๐ ๐ฉ๐ค๐ฌ๐๐ง๐๐จ ๐ฉ๐๐ ๐๐๐ฉ๐๐ฏ๐๐ฃ๐จ ๐๐ค๐ง ๐ฉ๐๐๐๐ง ๐ช๐ฃ๐ฌ๐๐ซ๐๐ง๐๐ฃ๐ ๐จ๐ช๐ฅ๐ฅ๐ค๐ง๐ฉ ๐๐ฃ๐ ๐ง๐๐๐ฉ๐๐ง๐๐ฉ๐๐ ๐๐๐ง ๐๐ค๐ข๐ข๐๐ฉ๐ข๐๐ฃ๐ฉ ๐ฉ๐ค ๐ฉ๐ง๐๐ฃ๐จ๐๐ค๐ง๐ข๐๐ฃ๐ ๐ฟ๐๐ก๐๐ ๐๐ฃ๐ฉ๐ค ๐ ๐ฃ๐๐ฌ ๐ข๐ค๐๐๐ก ๐๐๐ฉ๐ฎ.
๐๐ช๐ฅ๐ฉ๐'๐จ ๐๐๐๐๐ฃ๐๐ฉ ๐๐ค๐ข๐ฅ๐ง๐๐จ๐๐จ ๐จ๐๐๐จ๐ค๐ฃ๐๐ ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐๐ฃ๐จ ๐๐ฃ๐ ๐๐ง๐๐จ๐ ๐๐๐๐๐จ, ๐ง๐๐๐ก๐๐๐ฉ๐๐ฃ๐ ๐ ๐๐ก๐๐ฃ๐ ๐ค๐ ๐๐ญ๐ฅ๐๐ง๐๐๐ฃ๐๐ ๐๐ฃ๐ ๐๐ฃ๐ฃ๐ค๐ซ๐๐ฉ๐๐ค๐ฃ. ๐๐๐ง๐ซ๐๐จ๐ ๐๐๐ง๐ข๐, ๐ฌ๐๐ค ๐ฅ๐ก๐๐ฎ๐๐ ๐ ๐๐ง๐ช๐๐๐๐ก ๐ง๐ค๐ก๐ ๐๐ฃ ๐ฉ๐๐ ๐ฝ๐ ๐'๐จ ๐๐๐ข๐ฅ๐๐๐๐ฃ, ๐๐๐จ ๐๐๐๐ฃ ๐๐ฅ๐ฅ๐ค๐๐ฃ๐ฉ๐๐ ๐๐จ ๐ฉ๐๐ ๐ฟ๐๐ฅ๐ช๐ฉ๐ฎ ๐พ๐๐๐๐ ๐๐๐ฃ๐๐จ๐ฉ๐๐ง. ๐๐ฉ๐๐๐ง ๐ฃ๐ค๐ฉ๐๐๐ก๐ ๐๐ฃ๐๐ก๐ช๐จ๐๐ค๐ฃ๐จ ๐๐ง๐ ๐ผ๐จ๐๐๐จ๐ ๐๐ค๐ค๐, ๐๐๐ฃ๐๐๐ฃ๐๐๐ง ๐๐๐ฃ๐๐ ๐๐๐ง๐จ๐, ๐๐๐ซ๐๐ฃ๐๐๐ง ๐๐ฃ๐๐ง๐๐ ๐๐๐ฃ๐๐, ๐๐๐ฅ๐๐ก ๐๐๐จ๐๐ง๐, ๐๐ฃ๐ ๐๐๐ฃ๐ ๐๐ ๐๐ช๐ข๐๐ง ๐๐๐ฃ๐๐, ๐๐๐๐ ๐๐ง๐๐ฃ๐๐๐ฃ๐ ๐ ๐ช๐ฃ๐๐ฆ๐ช๐ ๐ฅ๐๐ง๐จ๐ฅ๐๐๐ฉ๐๐ซ๐ ๐ฉ๐ค ๐ฉ๐๐ ๐๐๐ข๐๐ฃ๐๐จ๐ฉ๐ง๐๐ฉ๐๐ค๐ฃ. ๐๐๐๐จ ๐๐๐ซ๐๐ง๐จ๐ ๐ฉ๐๐๐ข ๐๐จ ๐ฅ๐ค๐๐จ๐๐ ๐ฉ๐ค ๐๐ค๐ก๐ก๐๐๐ค๐ง๐๐ฉ๐๐ซ๐๐ก๐ฎ ๐๐๐๐ง๐๐จ๐จ ๐ฉ๐๐ ๐ข๐ฎ๐ง๐๐๐ ๐๐๐๐ก๐ก๐๐ฃ๐๐๐จ ๐๐๐๐๐ฃ๐ ๐ฟ๐๐ก๐๐ ๐๐ฃ๐ ๐๐ข๐ฅ๐ก๐๐ข๐๐ฃ๐ฉ ๐ฌ๐๐ก๐ก ๐ฅ๐ค๐ก๐๐๐๐๐จ ๐ฉ๐๐๐ฉ ๐ง๐๐จ๐ค๐ฃ๐๐ฉ๐ ๐ฌ๐๐ฉ๐ ๐ฉ๐๐ ๐ฅ๐ค๐ฅ๐ช๐ก๐๐๐'๐จ ๐๐จ๐ฅ๐๐ง๐๐ฉ๐๐ค๐ฃ๐จ.✌
๐๐๐ ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐ก ๐ก๐๐ฃ๐๐จ๐๐๐ฅ๐ ๐ก๐๐๐๐๐ฃ๐ ๐ช๐ฅ ๐ฉ๐ค ๐ฉ๐๐ 2025 ๐๐ก๐๐๐ฉ๐๐ค๐ฃ๐จ ๐ฌ๐๐จ ๐ง๐๐๐ ๐ฌ๐๐ฉ๐ ๐๐๐๐ก๐ก๐๐ฃ๐๐๐จ. ๐๐๐ ๐ผ๐ผ๐ ๐๐ค๐ซ๐ฉ ๐๐๐๐๐ ๐๐ง๐๐ฉ๐๐๐๐จ๐ข ๐ค๐ซ๐๐ง ๐ช๐ฃ๐ข๐๐ฉ ๐ฅ๐ง๐ค๐ข๐๐จ๐๐จ, ๐ฅ๐๐ง๐ฉ๐๐๐ช๐ก๐๐ง๐ก๐ฎ ๐๐ค๐ฃ๐๐๐ง๐ฃ๐๐ฃ๐ ๐๐ฃ๐ซ๐๐ง๐ค๐ฃ๐ข๐๐ฃ๐ฉ๐๐ก ๐ง๐๐๐ค๐ง๐ข๐จ ๐๐ฃ๐ ๐๐ฃ๐๐ง๐๐จ๐ฉ๐ง๐ช๐๐ฉ๐ช๐ง๐ ๐๐๐ซ๐๐ก๐ค๐ฅ๐ข๐๐ฃ๐ฉ. ๐ผ๐ก๐ก๐๐๐๐ฉ๐๐ค๐ฃ๐จ ๐ค๐ ๐๐ค๐ง๐ง๐ช๐ฅ๐ฉ๐๐ค๐ฃ ๐๐ช๐ง๐ฉ๐๐๐ง ๐๐ง๐ค๐๐๐ ๐ฅ๐ช๐๐ก๐๐ ๐ฉ๐ง๐ช๐จ๐ฉ ๐ค๐ฃ ๐ฉ๐๐๐ข.๐๐ง๐๐๐ฉ๐๐ฃ๐ ๐ ๐ซ๐๐๐ช๐ช๐ข ๐ฉ๐๐๐ฉ ๐ฉ๐๐ ๐ฝ๐ ๐ ๐๐๐๐ฅ๐ฉ๐ก๐ฎ ๐๐๐ก๐ก๐๐ ๐ฌ๐๐ฉ๐ ๐ฅ๐ง๐ค๐ข๐๐จ๐๐จ ๐ค๐ ๐ฉ๐ง๐๐ฃ๐จ๐ฅ๐๐ง๐๐ฃ๐๐ฎ, ๐๐๐ซ๐๐ก๐ค๐ฅ๐ข๐๐ฃ๐ฉ, ๐๐ฃ๐ ๐๐๐๐๐๐๐๐ฃ๐ฉ ๐๐ค๐ซ๐๐ง๐ฃ๐๐ฃ๐๐. ๐๐๐ ๐๐ก๐๐๐ฉ๐ค๐ง๐๐ฉ๐'๐จ ๐๐๐๐๐จ๐๐ซ๐ ๐ข๐๐ฃ๐๐๐ฉ๐ ๐๐ฃ ๐๐๐ซ๐ค๐ง ๐ค๐ ๐ฉ๐๐ ๐ฝ๐ ๐ ๐๐ฃ๐ ๐ฉ๐๐ ๐จ๐ช๐๐จ๐๐ฆ๐ช๐๐ฃ๐ฉ ๐๐ฅ๐ฅ๐ค๐๐ฃ๐ฉ๐ข๐๐ฃ๐ฉ ๐ค๐ ๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐ ๐๐จ ๐ฟ๐๐ก๐๐ ๐พ๐ ๐๐ฃ 2025 ๐ช๐ฃ๐๐๐ง๐จ๐๐ค๐ง๐ ๐ ๐๐ค๐ก๐ก๐๐๐ฉ๐๐ซ๐ ๐ฎ๐๐๐ง๐ฃ๐๐ฃ๐ ๐๐ค๐ง ๐๐๐๐ฃ๐๐ ๐๐ฃ๐ ๐ฅ๐ง๐ค๐๐ง๐๐จ๐จ.
๐ผ๐จ ๐ฟ๐๐ก๐๐ ๐พ๐ ๐๐ฃ 2025, ๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐'๐จ ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐๐จ ๐๐ฃ๐ฉ๐๐๐๐ฅ๐๐ฉ๐๐ ๐ฉ๐ค ๐ช๐จ๐๐๐ง ๐๐ฃ ๐๐ฃ ๐๐ง๐ ๐ค๐ ๐๐ค๐ก๐๐จ๐ฉ๐๐ ๐๐๐ซ๐๐ก๐ค๐ฅ๐ข๐๐ฃ๐ฉ. ๐๐๐ง ๐๐๐ข๐๐ฃ๐๐จ๐ฉ๐ง๐๐ฉ๐๐ค๐ฃ'๐จ ๐ฅ๐ค๐ก๐๐๐๐๐จ ๐๐ง๐ ๐๐ญ๐ฅ๐๐๐ฉ๐๐ ๐ฉ๐ค ๐๐ค๐๐ช๐จ ๐ค๐ฃ ๐จ๐ช๐จ๐ฉ๐๐๐ฃ๐๐๐ก๐ ๐ช๐ง๐๐๐ฃ ๐จ๐ช๐ ๐ช๐ง๐๐๐ฃ ๐๐ง๐ค๐ฌ๐ฉ๐, ๐๐ฃ๐๐๐ฃ๐๐๐ ๐ฅ๐ช๐๐ก๐๐ ๐จ๐๐ง๐ซ๐๐๐๐จ, ๐๐ฃ๐ ๐ง๐ค๐๐ช๐จ๐ฉ ๐๐ฃ๐๐ง๐๐จ๐ฉ๐ง๐ช๐๐ฉ๐ช๐ง๐๐ก ๐ฅ๐ง๐ค๐๐๐๐ฉ๐จ. ๐๐ค๐ง๐๐ค๐ซ๐๐ง, ๐๐๐ง ๐๐ข๐ฅ๐๐๐จ๐๐จ ๐ค๐ฃ ๐ฌ๐ค๐ข๐๐ฃ'๐จ ๐จ๐๐๐๐ฉ๐ฎ ๐๐ฃ๐ ๐๐ข๐ฅ๐ค๐ฌ๐๐ง๐ข๐๐ฃ๐ฉ ๐๐ฃ๐๐ฉ๐๐๐ฉ๐๐ซ๐๐จ ๐ง๐๐๐ก๐๐๐ฉ๐จ ๐ ๐๐ค๐ข๐ข๐๐ฉ๐ข๐๐ฃ๐ฉ ๐ฉ๐ค ๐๐ค๐จ๐ฉ๐๐ง๐๐ฃ๐ ๐๐ฃ ๐๐ฃ๐๐ก๐ช๐จ๐๐ซ๐ ๐จ๐ค๐๐๐๐ฉ๐ฎ. ๐๐๐ ๐๐ค๐ข๐๐ฃ๐ ๐ฎ๐๐๐ง๐จ ๐ฌ๐๐ก๐ก ๐๐ ๐ฅ๐๐ซ๐ค๐ฉ๐๐ก ๐๐ฃ ๐๐๐ฉ๐๐ง๐ข๐๐ฃ๐๐ฃ๐ ๐ฉ๐๐ ๐๐๐๐๐๐๐๐ฎ ๐ค๐ ๐๐๐ง ๐๐ค๐ซ๐๐ง๐ฃ๐๐ฃ๐๐ ๐๐ฃ๐ ๐ฉ๐๐ ๐ง๐๐๐ก๐๐ฏ๐๐ฉ๐๐ค๐ฃ ๐ค๐ ๐ฉ๐๐ ๐ฅ๐ง๐ค๐ข๐๐จ๐๐จ ๐ข๐๐๐ ๐๐ช๐ง๐๐ฃ๐ ๐ฉ๐๐ ๐๐ก๐๐๐ฉ๐ค๐ง๐๐ก ๐๐๐ข๐ฅ๐๐๐๐ฃ ๐๐ฎ ๐๐๐ก๐๐ ๐๐ข
๐๐ฃ ๐๐ค๐ฃ๐๐ก๐ช๐จ๐๐ค๐ฃ, ๐๐๐ ๐๐ข๐๐ง๐๐๐ฃ๐๐ ๐ค๐ ๐๐๐ ๐๐ ๐๐ช๐ฅ๐ฉ๐ ๐๐จ ๐ฟ๐๐ก๐๐ ๐พ๐ ๐๐ฃ 2025 ๐๐จ ๐ ๐ก๐๐ฃ๐๐ข๐๐ง๐ ๐ข๐ค๐ข๐๐ฃ๐ฉ ๐๐ฃ ๐ฉ๐๐ ๐๐๐ฉ๐ฎ'๐จ ๐ฅ๐ค๐ก๐๐ฉ๐๐๐๐ก ๐ฃ๐๐ง๐ง๐๐ฉ๐๐ซ๐. ๐๐๐ง ๐๐ค๐ช๐ง๐ฃ๐๐ฎ ๐๐ง๐ค๐ข ๐ ๐จ๐ฉ๐ช๐๐๐ฃ๐ฉ ๐ก๐๐๐๐๐ง ๐ฅ๐ง๐๐จ๐๐๐๐ฃ๐ฉ ๐ผ๐ฝ๐๐ ๐ฉ๐ค ๐ฉ๐๐ ๐๐๐ก๐ข ๐ค๐ ๐ฟ๐๐ก๐๐'๐จ ๐๐๐ข๐๐ฃ๐๐จ๐ฉ๐ง๐๐ฉ๐๐ค๐ฃ ๐๐ข๐๐ค๐๐๐๐จ ๐ง๐๐จ๐๐ก๐๐๐ฃ๐๐, ๐๐๐๐๐๐๐ฉ๐๐ค๐ฃ, ๐๐ฃ๐ ๐ ๐ฅ๐ง๐ค๐๐ค๐ช๐ฃ๐ ๐๐ค๐ฃ๐ฃ๐๐๐ฉ๐๐ค๐ฃ ๐ฌ๐๐ฉ๐ ๐ฉ๐๐ ๐๐๐ฉ๐๐ฏ๐๐ฃ๐ง๐ฎ'๐จ ๐๐จ๐ฅ๐๐ง๐๐ฉ๐๐ค๐ฃ๐จ. ๐ผ๐จ ๐จ๐๐ ๐๐ข๐๐๐ง๐ ๐จ ๐ค๐ฃ ๐ฉ๐๐๐จ ๐ก๐๐๐๐๐ง๐จ๐๐๐ฅ ๐๐ค๐ช๐ง๐ฃ๐๐ฎ, ๐ฉ๐๐ ๐ฅ๐๐ค๐ฅ๐ก๐ ๐ค๐ ๐ฟ๐๐ก๐๐ ๐ก๐ค๐ค๐ ๐๐ค๐ง๐ฌ๐๐ง๐ ๐ฉ๐ค ๐ ๐ฉ๐ง๐๐ฃ๐จ๐๐ค๐ง๐ข๐๐ฉ๐๐ซ๐ ๐๐ง๐ ๐๐๐๐ง๐๐๐ฉ๐๐ง๐๐ฏ๐๐ ๐๐ฎ ๐๐๐ซ๐๐ก๐ค๐ฅ๐ข๐๐ฃ๐ฉ, ๐ฉ๐ง๐๐ฃ๐จ๐ฅ๐๐ง๐๐ฃ๐๐ฎ, ๐๐ฃ๐ ๐๐ฃ๐๐ก๐ช๐จ๐๐ซ๐ ๐๐ง๐ค๐ฌ๐ฉ๐ ๐ฌ๐๐ฉ๐ ๐๐๐๐ค๐ง๐ฉ. ✌✌
๐๐ผ๐๐๐๐๐ผ๐ ๐พ๐๐๐พ๐๐๐, ๐๐ผ๐๐๐๐๐ผ๐ ๐พ๐๐๐พ๐๐๐ ๐๐ ๐ฝ๐ผ๐๐๐๐ผ๐ฟ๐๐๐๐๐๐๐๐
๐Bangladesh National Cricket in 2025: A New Era , gole of Dominance๐๐
Bangladesh national cricket has taken significant strides in 2025, cementing its place among the world’s top cricket teams. Over the past decade, the Tigers have transformed into a formidable force, thanks to a blend of experienced stalwarts and promising young talented playar. With improved infrastructure, a dedicated coaching staff, and a passionate fan base, Bangladesh national cricket has reached new heights in this year 2025.
https://www.effectiveratecpm.com/br1tdyi6?key=4dc1ac46df0842a953b76a56cb98ce98
๐ The Rise of Bangladesh National Cricket in 2025
The journey of Bangladesh national cricket in 2025 is a testament to the nation's growing cricketing culture. The Bangladesh Cricket Board (BCB) has invested heavily in youth and new development, which has paid dividends with several new faces making an impact on the international stage. With state-of-the-art training facilities and advanced analytical tools, players have honed their skills to compete with the best in the world of cricket.
๐๐ Bangladesh National Cricket Team’s Performance in 2025
In 2025, Bangladesh national cricket has enjoyed remarkable success across all formats Test, ODI, 20/20. The team’s performance in Test cricket has been particularly commendable, with historic wins against top-ranked sides. The Tigers have shown resilience and consistency, making them a strong contender in the World CRICKET Test Championship. In the shorter formats, Bangladesh has continued its aggressive approach, securing key victories ๐in T20 and ODI matches.
๐๐๐Key Players in Bangladesh National Cricket in 202matches a wide reason behind Bangladesh national cricket’s success in 2025 is the presence of experienced campaigners alongside dynamic young players. The leadership of the team has been instrumental, with the captain leading from the front. Veteran cricketers have provided the necessary guidance to young prodigies, creating a well-balanced team. Standout performers in both batting and bowling have given Bangladesh an edge in crucial matches, earning world wide recognition.๐
๐๐ Bangladesh National Cricket in ICC Tournaments 2025๐๐
This year,2025! Bangladesh national cricket has made an impressive mark in ICC tournaments. Their journey in the ICC T20 World Cup and ICC Cricket World Cup has been nothing short of spectacular, with strong performances that have taken them deep into the knockout stages of ICC๐๐ The Tigers’ fearless brand of cricket has won them accolades from fans and experts alike, proving that they are no longer underdogs but genuine title contenders.
๐๐ The Evolution of Bangladesh National Cricket’s Strategy๐๐
Bangladesh national cricket in 2025 has evolved tactically, adopting an aggressive yet calculated approach. The team has improved its batting depth, ensuring stability, facing in high-pressure situations. The bowling attack, comprising fiery pacers and crafty spinners, has troubled even the most seasoned batsmen. Fielding, often a concern in the past, has significantly improved, with athleticism playing a crucial and better role in the team’s success.๐๐
๐๐ The Role of Domestic Cricket in Bangladesh National Cricket’s Growth
One of the biggest and most contributors to Bangladesh national cricket’s rise in 2025 is the strength of its domestic cricket system. The Bangladesh Premier League (BPL)๐๐ continues to be a breeding ground for emerging talents, offering them exposure to high-pressure scenarios. Domestic tournaments have also seen an influx of foreign players and coaches, elevating the overall standard of the game in the Bangladeah.
๐๐Bangladesh National Cricket’s Fan Support in 2025
Never discussion of Bangladesh national cricket in 2025 is complete without the mentioning the passionate fan base of fans of team. The Tigers' supporters are among the most dedicated in the cricketing world, filling stadiums and creating electrifying atmospheres. The rise of digital media has further connected fans with their favourite players, fostering a strong sense of community and national pride.
๐๐Challenges and Future Prospects of Bangladesh National Cricket๐๐
Despite the success, Bangladesh national cricket in 2025 still faces challenges. Managing player workload, ensuring consistent performances abroad, and maintaining a steady pipeline of young talent are crucial areas that need attention. However, with a solid foundation in place and a clear vision for the future, Bangladesh is well-positioned to continue its upward trajectory in word of international cricket.
๐๐๐Conclusion๐๐๐
Bangladesh national cricket in 2025 is a story of determination, growth, sucsess,and excellence. From thrilling victories in global tournaments of ICC to the emergence of new superstars, the Tigers have firmly established themselves as a force to be reckoned with. As they continue their journey with succes!Bangladesh national cricket is set to inspire millions and script new chapters of success on the world stage.๐Cricket.
Exploring the Creative Vision of VJ Joshitha
A Deep Dive into the Work of a Visionary ๐ผ๐ง๐ฉ๐๐จ๐ฉ ๐ค๐ ๐๐ง๐๐๐ ๐๐ฉ.
In the ever-evolving world of digital artistry, few names stand out like VJ Joshitha. Known for his innovative approach and unparalleled creativity, VJ Joshitha has made a mark in the world of visual arts that continues to inspire and captivate audiences across the globe. With the rise of digital media and technology, his work has become more relevant than ever, blending traditional artistic sensibilities with modern-day techniques. In this blog, we explore the multifaceted career of VJ Joshitha, his creative journey, and the influence he continues to exert in the world of art, particularly in 2024.
Who is VJ Joshitha?
VJ JoshItha is a name synonymous with groundbreaking visual art. His work encompasses various forms of art, from digital animations to immersive video installations. As an artist, VJ Joshitha has mastered the art of blending visual storytelling with cutting-edge technology. His use of vibrant colours, dynamic shapes, and intricate patterns is a hallmark of his style, making him a celebrated figure in the digital art world.
Over the years, VJ Joshitha has collaborated with several global brands and art festivals, leaving a lasting impression on both the art community and tech enthusiasts. His ability to merge technology with creativity has made him a pioneer in the field, particularly in the realms of projection mapping and live visual performances.
The Artistic Journey of VJ Joshitha
VJ Joshi's artistic journey has been anything but conventional. Born with a passion for both technology and art, his career began with humble beginnings, where he honed his skills as a graphic designer. However, as technology evolved, so did his artistic vision. He transitioned from traditional media to digital platforms, where he could push the boundaries of visual creativity.
One of VJ Joshitha's most notable achievements is his innovative use of projection mapping. This technique involves projecting images and animations onto irregularly shaped objects, creating the illusion of movement and transformation.
VJ Joshitha's mastery of projection mapping has led to stunning installations at art festivals and high-profile events, where his visuals have mesmerised audiences.
His artistic evolution didn’t stop with projection mapping. As new technologies emerged, so did Joshi’s willingness to experiment. He embraced virtual reality (VR), augmented reality (AR), and interactive media, further expanding his creative horizons. His work, often seen in collaboration with musicians and other artists, has redefined how we experience art in the digital age.
VJ Joshi’s Impact on the Digital Art World
In 2024, VJ Joshitha's influence in the digital art world is undeniable. His work has not only captured the attention of art enthusiasts but has also bridged the gap between the worlds of tech and visual arts. Through his innovative use of digital media, Joshi has redefined what it means to be a modern artist in an increasingly digital world.
One of his most significant contributions is his ability to create art that is interactive and immersive. His projects encourage viewers to engage with the art in ways that traditional paintings and sculptures simply cannot. By incorporating technology into his installations, VJ Joshitha has transformed the viewer from a passive observer into an active participant in the creative process.
Additionally,
VJ Joshitha has been instrumental in bringing digital art to mainstream platforms. His work has been showcased in major art galleries and international exhibitions, further legitimising digital art as a serious medium of artistic expression. As a result, Joshi has helped pave the way for future generations of artists who wish to explore the intersection of art and technology.
The Unique Style of VJ Joshitha
What sets VJ Joshitha apart from other digital artists is his unique style. His work blends the organic with the digital, the traditional with the futuristic. Through his use of vibrant colours, fluid shapes, and dynamic motion, he creates visuals that are both mesmerizing and thought-provoking. Whether he’s working on a live visual performance or a large-scale installation, VJ Joshitha’s art always tells a story, drawing the viewer into a world of imagination and wonder.
A signature element of VJ Joshitha's art is his focus on abstraction. Rather than creating realistic representations, he favours abstract visuals that evoke emotions and provoke thought. His work often explores themes of nature, technology, and human connection, offering a reflection of the complexities of the modern world.
Moreover,
VJ Joshitha's art is highly adaptable. He has the ability to modify his visuals to suit different environments, ensuring that each piece is unique to its setting. Whether his work is displayed in a gallery, a concert venue, or an outdoor festival, his visuals always feel tailored to the space, enhancing the overall experience.
VJ Joshitha's Influence on Live Visual Performances
Another area where VJ Joshitha has made a significant impact is in the realm of live visual performances. By combining his expertise in digital art with music and performance, he has created captivating live shows that blend sight and sound in a way that is both immersive and engaging. His ability to synchronise visuals with live music has made him a sought-after collaborator for musicians, DJs, and live performance artists.
These performances often blur the lines between art, music, and technology, creating a multi-sensory experience for audiences. VJ Joshitha live shows are a testament to the power of visual art to enhance the emotional impact of music, making his performances some of the most memorable in the industry.
The Future of VJ Joshitha Art in 2024 and Beyond
As we move further into 2024, the future of VJ Joshi’s art looks incredibly promising. With advancements in technology, Joshi continues to explore new creative possibilities. Virtual reality and augmented reality are just a few of the tools he is currently experimenting with to push the boundaries of digital art. In the coming years, we can expect to see even more innovative works from Joshi, as he continues to be at the forefront of the digital art revolution.
One thing is for certain: VJ Joshitha impact on the world of digital art will only continue to grow. As he continues to innovate and inspire, his work will no doubt shape the future of art in the digital age.
Conclusion
VJ Joshithas journey as an artist has been one of passion, innovation, and endless exploration. His unique ability to merge technology with art has made him a trailblazer in the digital art world. In 2024, his work continues to inspire artists and art lovers alike, proving that the future of art is digital, immersive, and ever-evolving. With each new project, VJ Joshitha raises the bar for what is possible in the realm of visual art, and his influence will undoubtedly continue to be felt for years to come.
For anyone looking to explore the dynamic world of digital art, VJ ๐ ๐ค๐จ๐๐๐ฉ๐๐ is a name to watch closely. His creative vision, technical expertise, and dedication to pushing boundaries make him a true visionary in the world of contemporary art.
Thank you๐น๐น